February 25, 2013 LWST: Better Off Ted S01E05 – Win Some, Dose Some
Right off the bat Ted tells us that Veridian is all about the competition, and it’s that drive to succeed that has made Veridian one of the most successful companies in the world. I want to know what some of the other companies in the Better Off Ted universe are and what they do. We eventually find out about Veronica’s dad’s company, maybe those are the only two? Anyway, this theme serves as the backdrop for all three main storylines: Ted selling wrapping paper for Rose so they can win a trip to Disneyland, Veridian selling solar-powered ovens to the military, and Linda getting accidentally dosed by Lem and Phil.
(By the way, that one competing employee in the bathroom who doesn’t wash his hands before adjusting his tie? Super gross.)
Phil and Lem are playing the needle game, which involves them throwing a needle into the ceiling tiles to make them stick, something Phil says is “the most fun anyone’s ever had with a hypodermic needle.” Ted comes in to sell them wrapping paper and pretty much forces them to buy some because they’re not supposed to be playing the needle game. I like how Ted is always the “knows what’s going on” guy. Very rarely is he out of the loop, and when he is confused by something, it’s not normally his fault (if I’m remembering the series correctly).
As it turns out, Ted is right again, because Linda stops in to get the specs for the solar-powered oven and Phil’s needle falls from the ceiling and stabs her in the shoulder. “I hate coming down here,” she says. Not to worry, the needle is clean…but the band-aid Lem puts on her “lady shoulder” is actually an experimental energy patch, something they don’t figure out until after she’s left the lab. They decide not to tell her, because why make Linda mad at them again? That term “lady shoulder” is simply hilarious and I can’t really figure out why. Linda’s line “Just bring the specs by my desk. I’ll be the one hoping I never hear the term ‘lady shoulder’ ever again.” cracks me up every time I hear it.
Meeting room time. Turns out the plastic in the solar-powered ovens leak toxins into the food, but only when said plastic is exposed to the sun. Ah, but there’s a solution: the plastic in their bomb casings is completely safe. But the frogurt is cursed: the bomb casing plastic is more expensive. Meanwhile, Linda is all hopped up on the energy patch and runs crazy-eyed from the room. Veronica tells Ted he’ll have to sell the more-expensive ovens to the military, which means he’ll have to have dinner with General McMillian, who has long had a crush on Ted. Veronica’s obvious glee at Ted’s discomfort with the whole situation is hilarious, mostly because the things that bring Veronica the most glee are usually the things that bring pain or discomfort to others.
Ted strikes a deal with Veronica: if Rose beats Cynthia (the classmate who is currently outselling Rose), Ted will have dinner with the general. In this conversation when Ted is explaining the competition, Veronica has the fantastic line “It’s not my fault I don’t listen when you talk.” Veronica is just the best.
In trying to get their energy patch off Linda, Phil and Lem tackle her. They’ve realized the patch is causing her craziness, and figure getting it off her will make everything fine. For guys who are so smart, they sure get a lot of things wrong!
Ted tells Rose that they are going to win and win big. Turns out, though, that Rose’s classmate Cynthia Nelson is disabled and in a wheelchair. Twist!
Veridian Dynamics Commercial Break: Veridian Dynamics. Competition. Whether it’s animals or this old woman and baby fighting to the death… Competition makes us stronger. In business that means better products: pills that look like candy, hands that can shoot lightning, and a new generation of hurricane-proof dogs. Veridian Dynamics. Competition. It makes everything better.
Ted asks Veronica if it’s wrong to beat the disabled girl at selling. “Wrong? How should I know what’s wrong? I’m not some Greek philosopher,” Veronica says. Veronica really does get the best lines. Veronica says if we’re going to treat disabled people the same as everyone else, Ted should still try to beat her.
Phil and Lem find Linda crying over the everything bagel. She’s overcome with emotion that the Jewish people were able to come up with it since they’ve had such a tumultuous history. Phil and Lem wonder if “wildly erratic emotions” is a side effect of the energy patch, but they’re not really sure because the company will only pay for testing on drunk frat guys. But the bigger question is, why is Phil carrying corn under glass? It never gets discussed.
Ted and Veronica make a great sales team (surprise, surprise), prompting Veronica to claim “I’m Batman. I’m Batman…and Robin.” Linda comes up to the two of them and proceeds to compliment Veronica a whole bunch (“Your calves are like granite wrapped in silk!”) and then accuse her of leaving the bathroom without washing her hands (just like Tie Guy from earlier!). Just when everybody’s wondering what in the world is going on, Phil and Lem confess to dosing Linda. (“You boneheads dosed me?!”) Now Ted’s put them in charge of keeping an eye on her for 24 hours, which seems like a perfect punishment.
Aside: I love that in the process of mocking everyone, Linda makes fun of herself and that bums her out when she realizes what she did.
Ted comes into Rose’s room, where she is reading A Barrel of Laughs, a Vale of Tears by Jules Feiffer. I’ve never read it, does it underscore this episode at all? Turns out, all of Rose’s classmates are mad at her for beating Cynthia, so she doesn’t want to win anymore. Ted agrees to let Cynthia win.
Lem and Phil are at Linda’s house because Linda bit Phil when they tried to take her to his house to keep an eye on her. She’s making inedible cookies, one of which has a penny in it, and then she gets mad about a baby crying across the hall and she storms out to deal with it. Phil and Lem should stop her, but they get distracted by the following conversation, which is awesome:
“You can’t hurt a baby!” Phil says.
“Well, you can hurt them, they’re not indestructible,” Lem replies.
“I meant it’s morally indefensible.”
“Well, what if a baby killed a man?” asks Lem.
“You and your moral puzzles. I just love ’em.”
While they’re figuring out if they could harm the baby Hitler, Linda steals the baby and renames her “Ted.”
Ted tells Veronica they have to let Cynthia win, but Veronica’s having none of it: “You’re soft and weak, Ted. Like a geisha.” She wants Ted to meet with the general, so she’s determined to keep selling so he’ll have to. So Veronica keeps selling wrapping paper, using language that might be associated with financial advisors or pyramid scams, I really can’t tell. Meanwhile, Ted is buying it back from people- “It’s lead-lined and you can see Santa’s junk.”
Linda’s back to normal, but still mad at Lem and Phil. In the process of talking to Ted, we find out she’s learned that “you don’t get to keep a baby just because you write your name on it.” “Babies have to be notarized,” Ted says. Lines like these are why I love this show so much.
Veronica’s selling is so good no one will ever be able to catch up, so Ted has to have dinner with the general, who says Ted has “a body like a young Mark Spitz.” During the course of the dinner, Ted figures out a way to make Cynthia win: sell wrapping paper to the military under he name so they can wrap the solar-powered ovens before dropping them off to people. $5 million worth of wrapping paper is enough to win that contest, apparently.
Linda wants payback on Phil and Lem so she goes down to ask them if there are any other side effects fromt he patch. They’re busy salting some lunchmeat (?) so they don’t pay attention to her until she suggest she might need to see a lawyer. “As scientists with very little money, we suggest you don’t see a lawyer,” Lem says. She’s glued some feathers to her back and they’re freaking out and then she says, “The next time you dose me, you better finish the job.”
Linda apologizes to Veronica for all her crazy talk earlier, but Veronica is choosing to remember only the compliments. “You’re obsessed with me, Linda. I like that about you.”
There was a lot of fun in this episode, and some great lines. There wasn’t any Ted/Linda relationship stuff at all, and it didn’t feel weird even a little. Andrea Anders must have had a blast filming this one – it has to be fun to be able to play your character all over the map like she was able to do here.
Ideas/Inventions mentioned in this episode:
- Solar-powered oven
- Experimental energy patch that looks like a band-aid
- Pills that look like candy
- Hands that can shoot lightning
- A new generation of hurricane-proof dogs
Coworkers named/seen:
- Lonny is back! He’s not good at financial decisions, apparently.
- The credits also list Mindy and Kathy, one of whom is probably the lady who buys wrapping paper, but I don’t know which one she is
Tags: Better Off Ted, LWST
- 8 comments
- Posted under TV
February 22, 2013 Academy Awards
The Academy Awards are this weekend, and they’re important because they claim to be – at least, that’s pretty much how I understand it. I’m all for things getting awarded for quality, but I’m with the growing number of people that think there should be some sort of retroactive award. Let’s look back 20, 30, 40 years at those movies and see which one is still important or has held up the best. There are plenty of “this should’ve won, not that” lists floating around, so that’d be a logical outgrowth. Also: let’s get some diversity in the voter pool for this things, huh? Age, race, gender – all of it.
Anyway, I haven’t seen most of the films nominated this year because I’d rather spend my time/money on comicbook movies. I have seen 8 of last year’s 9 Best Picture nominees, but I’ve only seen two of this year’s crop so far. But that doesn’t mean I can’t make picks! Even if I haven’t seen a particular movie, I tend to be aware of it enough to make a not-quite-ignorant judgment on it. I wouldn’t use this list as a betting help if I were you. Movies and performances I’ve seen are italicized, and my picks are bolded.
BEST PICTURE
Amour – I don’t really care if I never see this one
Argo – No, I haven’t seen this one and, yes, I want it to win. Ben Affleck’s turning out to be a pretty good director.
Beasts of the Southern Wild – Saw this one recently and I think it was good, I just don’t think I completely understood it.
Django Unchained – I meant to go to this one several times, but chickened out every time because of its length.
Les Misérables– I liked it, but I liked the stage version, too, so I was expecting to.
Life of Pi – Sure, I’ll see this one eventually
Lincoln – Seemed like more of a small screen watch than a big screen one
Silver Linings Playbook – Have been really wanting to see this one but I have to wait for my wife to have time to.
Zero Dark Thirty – Sure, I’ll see this eventually
ACTOR in a Leading Role
Bradley Cooper (Silver Linings Playbook)
Daniel Day-Lewis (Lincoln)
Hugh Jackman (Les Misérables) – Come on, give Wolverine an award already.
Joaquin Phoenix (The Master)
Denzel Washington (Flight)
ACTRESS in a Leading Role
Jessica Chastain (Zero Dark Thirty)
Jennifer Lawrence (Silver Linings Playbook) – She seems nice. They give awards for nice, right?
Emmanuelle Riva (Amour)
Quvenzhané Wallis (Beasts of the Southern Wild)
Naomi Watts (The Impossible)
ACTOR in a Supporting Role
Alan Arkin (Argo)
Robert De Niro (Silver Linings Playbook)
Philip Seymour Hoffman (The Master)
Tommy Lee Jones (Lincoln) – Because he’s Grumpy Cat in human form
Christoph Waltz (Django Unchained)
ACTRESS in a Supporting Role
Amy Adams (The Master) – Because she’s great!
Sally Field (Lincoln)
Anne Hathaway (Les Misérables) – Because how can you not want her to get an award? Meanie.
Helen Hunt (The Sessions)
Jacki Weaver (Silver Linings Playbook)
ANIMATED FEATURE FILM
Brave – I liked it a lot, but it’s a clear 2nd place this year
Frankenweenie – I haven’t seen this version yet, but I love the original short it’s based on
ParaNorman – This one’s been sitting at my house from Netflix for two weeks now.
The Pirates! Band of Misfits – Love the Wallace & Gromit crew, so this one’s definitely on my Must Watch list
Wreck-It Ralph – Fantastic all around, and of course I like the idea of Q*bert being in an Oscar-nominated movie
DIRECTING
Amour (Michael Haneke)
Beasts of the Southern Wild (Benh Zeitlin)
Life of Pi (Ang Lee) – Ang Lee will get leftover love from me for a long time because of Crouching Tiger, Hidden Dragon
Lincoln (Steven Spielberg)
Silver Linings Playbook (David O. Russell)
MUSIC Original Song
“Before My Time” (Chasing Ice) – I was unaware of this song until just today, but I think it’s beautiful. Scarlett Johansson sings it and does a wonderful job.
“Everybody Needs A Best Friend” (Ted) – I kind of feel like people need to stop encouraging Seth MacFarlane.
“Pi’s Lullaby” (Life of Pi)
“Skyfall” (Skyfall) – If this doesn’t win it will be the worst decision of the evening.
“Suddenly” (Les Misérables) – I don’t even remember this song.
Who ya got?
Tags: Oscars
- 7 comments
- Posted under Movies
February 21, 2013 Breaking the Record
Over the space of four days last week, a guy in New Jersey broke the world record for marathon videogame playing, and he did it playing Q*bert. You can read about it here, but I’d advise against reading the comments. The gentleman in question, one George Leutz, played Q*bert for 84 hours and 48 minutes on one game credit. Guinness World Record rules state that you earn five minutes of rest for every hour of effort, but you can’t pause the game – you have to accumulate enough lives so your game doesn’t end while you’re taking your break.
Have you ever played Q*bert? It’s hard. I mean, I love the game, but I’ve never been any good at it. The only version I was ever any good at was the game watch version I had, and I’m sure that was more due to the limitations of the hardware than any skill I had. I know there’s patterns that a person can memorize for a lot of these classic games, but I’ve never actually done that. I have a hard enough time remembering things I need to, frankly.
I had a girlfriend once who memorized the pattern for beating the pyramid peg game that Cracker Barrel has at the table, and I guess that was fine that had a system, but it seemed a weird thing to focus on – it just wasn’t something I ascribed much importance to. If, despite my warnings, you read the comments on that article, you’ll see some people who feel the same way about this guy’s game of Q*bert. “Waste of time,” “loser,” “what did this accomplish?”, that kind of thing. This kind of thinking is the worst. The worst. Just because something isn’t important to you doesn’t mean it’s worthless. This is one of the tenets here at zwolanerd, really – I don’t list “best ever!!!!”s, I list “my favorites.” I liked the Sega Genesis better than the Super Nintendo, but most people I’ve met are the exact opposite. Does a person’s preference make something the best ever? No, it makes something the best ever for that person. Responding with what amounts to “You like that thing? It gave you enjoyment? Ugh, it sucks. You suck!” is one of the most ridiculous things humanity has ever come up with. It was around a long time before the Internet, of course, but the Internet has made that behavior about 76,000% worse. There are some “bravo for this guy!” comments on that article as well, but they rarely get the amount of likes and upvotes the scathingly negative ones do.
How is breaking this record any different than any other record a person can get? Someone who can do the most somersaults in an hour might be gaining some physical benefit from that, sure, but that won’t help her much when she’s 80, and neither will this Q*bert record. Breaking records isn’t about the record, I don’t think. It’s more about striving towards a goal, working at something. Fact is, I’m way more impressed by someone who breaks a record playing Q*bert or Donkey Kong (except Billy Mitchell, because nertz to that guy) than by someone chainsawing as many trees in a day as he can. Why? Because I’ve played Q*bert and Donkey Kong. I know what those guys were up against because the setting is familiar. The only context I share with World’s Longest Fingernails Guy is that I have fingernails, but if I don’t cut mine every week and a half, they drive me absolutely nuts. I’d be less impacted by a guy who played Halo this long for the same reason – Halo isn’t one of “my” games.
So I guess my point is this: good for this guy. He’ll always be able to say for the rest of his life “I held the world record for playing Q*bert.” Are there better goals? Sure, but the point is that there was a goal. That article says this was his fifth attempt at breaking the record. Who even knew about those other attempts? Maybe a buddy or two. I don’t know anything about this guy other than this recordbreaking round of Q*bert, but that’s enough for me to know. Good on him, and I hope some day I find my own Q*bert to conquer.
Tags: Q*bert
- 6 comments
- Posted under Videogames
February 20, 2013 Don’t Watch This
My brother sent this to me in an email the other day because he hates to see me happy — at least, that’s how I took it, anyway. It’s the Muppets, backstage at the theater, preparing a “Jim Henson tribute production number,” when they find out Jim has passed away. I made the mistake of watching the video at work, and I was glad no one came into my office for a while afterwards, because I honestly teared up.
I’ve talked about The Muppets a little before, but I don’t think I can adequately explain what a big part of my life they’ve been. Perhaps it’s because they were one of the few shows our family watched together, perhaps because they were an introduction to the larger world of pop culture, or perhaps because the Muppets are just that great.
I never met Jim Henson, but I’ve come to understand through interviews and articles and books just how much The Muppets represent his vision. When he passed away ten days after my 18th birthday, it seemed like that was it, no more Muppets. I remember being sad, but it’s interesting to me that I’ve become much sadder about it over the past 23 years. Like, the more I consider what we’ve lost in those 23 years, the worse it gets, and the more years that pass, the more we’ve lost. The Muppet Show and The Muppet Movie are two of my favorite pieces of pop culture, and no matter what form of Muppets we might get, we’ll never have that version again.
Don’t get me wrong, I think the last Muppet movie was great and did a fantastic job of honoring Muppet history while carrying the brand forward, and I’m looking forward to more entries in the series. But… there’ve been some missteps along the way. It’s still Muppets and it’s still good, but Muppets Tonight lacks heart, and some of the after-Jim Muppet movies have been (to me) downright disappointing.
Which brings us back to this clip. It’s a part of “The Muppets Celebrate Jim Henson,” a program I haven’t actually all of (frankly, I’m not sure I could make it through – the description alone has me sniffling). The Muppets are tasked with doing what they do: put on a show! They don’t know Jim, but they’re giving it their best shot. But then they find out via fan letters that he has died and Fozzie wants to cancel the big number. Robin talks him out of it: “Take what you got and fly with it, Uncle Kermit says. I think he learned it from Jim.” So they do it, singing what was reportedly Jim’s favorite song, “Just One Person.” It’s very meta, because the Muppets figure the best way to go about things is to do what they do, and you know that’s the exact way Jim’s friends and crew were thinking about how to honor him.
I don’t have a lot else to say about this. Sometimes the death of someone you never knew can affect you in ways you don’t expect. Seeing this video again reminds me that everyone has something they contribute, and I hope it helps me appreciate those around me a little more. I hope it helps you, too, and I’m sorry for making you sad today.
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- Posted under TV
February 19, 2013 Tuesday 16+7: Black & White Movies
A friend of mine was telling me yesterday that I have no appreciation for the classics. He’s not completely wrong – my pop culture history starts in the mid-70s. That doesn’t mean I don’t like anything before that, I’m just not as versed in that. He challenged me to do a “black & white” list so I thought I’d give it a shot.
Couple of notes on the list:
- I’ve broken it down between comedies and not-comedies, as it would be weird to not do that
- These are not all of the black & white movies I’ve seen, but these are the most notable
- You will soon see that I have abided by the letter of the law (black & white) but not the spirit (year released)
Comedies
7. Clerks – This film’s not even supposed to be here today. It’s only on the list because I’ve seen it and it’s notable. I’m not much of a Kevin Smith fan and I know I’ve let you down.
6. Manhattan – I like Woody Allen movies in general, but I honestly don’t remember this one that much, even though it generally gets listed as #1 or #2 on most “Best of Woody Allen” lists.
5. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – I can’t imagine a movie like this ever getting made today.
4. Duck Soup – Is there a modern day equivalent to this kind of movie? The plot serves as a place to hang one-liners, mostly. Very funny, most definitely.
3. Arsenic and Old Lace – Cary Grant at the height of his powers (even though he made better movies, certainly). I will admit to attaching a bit more love to this movie because of nostalgia, but it’s a great movie even without that.
2. Young Frankenstein – I’m not a huge Mel Brooks fan, either, but this is my favorite of his – yes, I like this better than Spaceballs, even though I’m more of a sci-fi fan than an early horror fan.
1. A Hard Day’s Night – Mostly known for its great music, but this film is supremely silly and fun. It’s hard to imagine these are the same guys who went on to become the ever-so-serious-yes-I’m-yelling-it ARTISTS that they (mostly) became.
Not shown: Laurel & Hardy, Abbot & Costello, and The Three Stooges. It isn’t that there aren’t some great ones, it’s that I don’t think of them in terms of separated movies. I think of “Laurel & Hardy movies” as a block rather than distinct entries.
Not Comedies
16. The Blair Witch Project – I don’t think I understand the appeal of this movie. Sure, it was creepy, but it was more annoying than scary.
15. Ed Wood – We’ve already talked about how I don’t remember this movie much.
14. Pi – I remember the feel of this movie more than I remember the actual movie. This movie sticks out in my memory, though, because it was the first real departure for me. What I mean by that is that this movie has a gritty, indie look and feel, and I hadn’t really seen anything like it up to that point. I remember renting the tape from the SuperAmerica gas station and kind of being blown away by it. I don’t know that the movie was that great or anything, but it opened my eyes to a different sort of movie experience, and that’s what I remember most about it.
13. High Noon – There should probably be a lot of Westerns on this list, but this one will stand in for all of them, even though it’s an atypical example. I saw many a Gene Autry, Tom Mix, and Roy Rogers film when I was a kid, but I couldn’t tell you the name of a single one of them, nor differentiate any plot points.
12. The Man Who Wasn’t There – Not my favorite Coen Brothers movie (ooh, hey, future list idea), but a very cool movie nonetheless.
11. The Artist – I’m not sure this deserved all the awards it got, but I understand why it go them. It’s a celebration of that very specific point in history where silent film was dying and the talkies were taking over, and it’s an enjoyable experience overall.
10. M. – This is one of the creepiest, most unsettling films I’ve ever seen.
9. Sin City – This movie is kind of an amazing bit of storytelling, but I felt like I needed three showers after seeing it.
8. It’s a Wonderful Life – The whiplash between the previous entry and this one is not my fault, so no suing, please. This movie sits comfortably on my “Great Movies That I Don’t Need To See Again” list. It’s hard not to like this one.
7. King Kong – Sure, special effects have come a long way since 1933, but there’s something great about the way Kong moves, and there was certainly something groundbreaking about making people feel for the giant monster.
6. Nosferatu – A local theater hosted a showing of this several years ago, complete with an organist playing along with it like it would have been shown back in the day. If you ever get the opportunity to watch it that way, do so. It’s unlike anything else I’ve seen in a theater. Also: the vampire in this movie is superawesomecreepy.
5. Citizen Kane – Sure, the “Rosebud” logic falls apart on even passing inspection, but it really is a great film. Watching it these days doesn’t seem like such a big deal because you’ve seen all its tricks before, but when you realize this was the movie that invented most of those tricks it becomes something more.
4. Casablanca – I was surprised by how much I liked this movie. I went into it knowing it was a classic and yada yada yada, but it’s really, really good. Like, it’s so good that in all of the words written about it over the past 70 years, “it’s really, really good” is maybe the most ridiculous thing that has ever been said, even if all the other stuff written about it boils down to that anyway.
3. Psycho – There should be a lot more Hitchcock on this list, so let this one stand in representation. He made better movies, sure, but this is in many ways THE Hitchcock movie. Plus, I grew up in Wisconsin and this story is loosely-based on a real-life Wisconsin serial killer’s, so there’s that connection, too, but that’s weird so just forget that.
2. Schindler’s List – Another on the “Great Movies That I Don’t Need To See Again” list. Masterfully done and powerful.
1. To Kill a Mockingbird – Maybe the best book-to-movie movie ever made, but I haven’t seen all of them, so I don’t know that I can make that claim stick. It helps that I love the book, certainly, but Gregory Peck’s performance here is one of the all-time great performances.
Tags: Tuesday10
- 15 comments
- Posted under Internet