February 12, 2013 Tuesday 12: Stallone Movies
I’ve been a Stallone fan since before I could watch some of his most famous movies. I remember as an eighth grader sketching the picture from First Blood: Part II (shown here) during school, and that’s still the drawing I’ll use if I ever get “Rambo” as a suggestion in Draw Something. I think there are two reasons I was a Stallone fan early on: 1) He guest-starred on The Muppet Show (in 1979!), and 2) Rocky III was one of the first movies I ever saw on VHS.
So here, as promised, are my top twelve Stallone movies – you get two extra to make up for there only being eight last week.
12. Assassins (1995) – Who even remembers this movie with Antonio Banderas and Julianne Moore? It’s rare that you’ll even find it randomly playing on TV, but I remember enjoying the interplay amongst the three of them. It’s been a while since I saw it.
11. Antz (1998) – Sly’s second Woody Allen movie. His first was Bananas, where he played “Subway Thug #1.” At the time, I liked this animated movie about ants better than Pixar’s A Bug’s Life, and I still think it’s good, but I think I’ve come around on A Bug’s Life now.
10. Judge Dredd (1995) – Listen, this movie isn’t very good. I know it. You know it. Rob Schneider’s in this one (in one of his two least annoying roles ever), but so is Diane Lane. Last year’s Dredd completely overshadows this one in terms of quality, but chances are that any time anyone mentions Judge Dredd, this is the movie you’ll first think of.
9. Cop Land (1997) – This movie was seen as a possible turning point in Sly’s career. He gained a lot of weight for the role, did some Actual Acting (TM), and held his own against the likes of Harvey Keitel and Robert De Niro. Really! And did you remember that Janeane Garofalo was in this movie? Because I sure didn’t.
8. Tango & Cash (1989) – “Let’s put Stallone and Kurt Russell in a movie together and see what happens!” This movie is mostly fun.
7. Oscar (1991) – There for a while, Sly tried to reinvent himself as a comedic actor. I haven’t seen many of them, and I hear they’re mostly terrible, but I’ve always enjoyed this one. His character’s last name is “Provolone,” people!
6. The Expendables (2010)/The Expendables 2 (2012) – The only thing that would make these movies more enjoyable is if they had happened 20 years ago with mostly the same actors. I love these movies unabashedly, and I’ll keep seeing them as long as they keep making them.
5. Daylight (1996) – I’m not generally one for disaster movies, so I can’t adequately explain why I like this one so much. Stallone plays the improbably-named “Kit Latura” as an expert in just exactly the sort of thing that happens in this movie, and he takes in on himself to rescue as many folks as he can. Spoiler: it isn’t as many as you think it will be. Aragorn himself is in this movie.
4. Cliffhanger (1993) – This movie has a lot of great action sequences and also John Lithgow at his scenery-chewing best as the villain. One other thing it has: a spoof of its opening minutes in the opening minutes of Ace Ventura 2.
3. Demolition Man (1993) – One thing this movie has that a lot of Stallone’s action flicks lack is a sense of humor. Wesley Snipes is so over the top (a movie you’ll notice is not on this list, by the way) that it kind of oozes through the rest of the movie. Sandra Bullock is adorable in this movie, and for those keeping track at home, this is officially Rob Schneider’s least annoying role. Add in Otho and the warden from Shawshank and Denis Leary, and how can this movie not be near the top of anyone’s list? And any movie that can leave you pondering what bathroom procedures might look like in the future is a movie that has succeeded, I feel.
2. First Blood (1982)/Rambo: First Blood Part II (1985)/Rambo III (1988)/Rambo (2008) – Around the time of the second entry in this series, “Rambo” became standard reference shorthand for “dumb action movie,” a practice that I think is ill-suited to the second entry. Funnily enough, that label certainly applied to the third entry – a self-fulfilling prophecy, perhaps? I’ve always viewed the Rambo series as more of an action-based character study, myself, and I’m sure at least some of that is rooted in how many books I read about the Vietnam War back in the day. Go back and watch First Blood again and be surprised at how it touches on the themes of isolation and rootlessness so many of our vets had when they returned. Then see how Rambo gets an opportunity in the second one to do something about that hopelessness. In the third, once you get past the stick fighting, see how he sides with freedom fighters as he seeks to rescue his father figure (though the less said about those freedom fighters becoming al-Qaeda later on, the better, I guess). In the last, see how a man who has known nothing but war even in the midst of his search for peace takes it upon himself to protect those who cannot protect themselves. I find it fascinating, I really do. The fact that stuff blows up real nice in and around the story is just icing.
1. Rocky (1976)/Rocky II (1979)/Rocky III (1982)/Rocky IV (1985)/Rocky V (1990)/Rocky Balboa (2006) – Rocky put Stallone on the map, and deservedly so. It’s hard now to imagine that the “Underdog triumphs!” storyline wasn’t always a part of the culture until Rocky hit, and that’s even though Rocky didn’t win in the first movie! (Uh… spoiler alert, I guess.) Should that first movie have taken home the Best Picture that year, against the likes of network and Taxi Driver? Most would say no, but I’d argue that none of the other movies in the category made the impact Rocky did. Sure, the series has had its ups and downs (hey, Stallone doesn’t even like to talk about Rocky V these days), but it’s another character study with a great arc. The last movie in the series is a fantastic wrap-up to the series, full of touching moments and heart that will surprise you.
I’d love Stallone to choose more Rocky Balboa (the movie) and Cop Land-type roles as he gets older. Yes, I love the Expendables movies, but I think more thoughtful roles would suit him. I’d also like to see him lighten up – Bullet to the Head tried to be so completely serious, and it doesn’t play well. Have some fun, Sly! We’d enjoy it, I promise!
Bonus list – Stallone movies I haven’t seen:
- Zookeeper
- Kambakkht Ishq – He apparently plays himself?
- Shade
- Taxi 3
- Avenging Angelo
- Eye See You
- Driven
- Get Carter – I started this one once, but didn’t make it very far
- An Alan Smithee Film: Burn Hollywood Burn
- The Good Life
- Stop! Or My Mom Will Shoot – I really feel like I need to see this one. I just feel compelled.
- Rhinestone
- Staying Alive – This one is usually at or near the top of most “Worst Sequels Ever” lists, and Sly directed it!
- Victory
- F.I.S.T
- And anything else before 1978
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February 11, 2013 LWST: Better Off Ted S01E03 – Through Rose Colored Hazmat Suits
This episode does two things that I like very, very much, and the first one happens right away: Rose comes to Veridian and meets Veronica. Thanks to great writing and Portia de Rossi’s wonderful depiction, we already have a good sense of who Veronica is. We don’t know much about Rose yet, but we do know her mom left the family and Ted is very protective of her. One of my favorite Rose lines is from a previous episode (the first one, I think) when Ted is asking her if she’s done her homework and then asks her a math problem. Her reply: “Yes, that was one of the questions.” The kid is too smart, but not obnoxiously so, like many (most?) sitcom children. Seeing Veronica and Rose interact is one of the highlights of a show filled with highlights.
The other wonderful thing doesn’t happen until the end of the episode, so we’ll get to that in a bit.
This is the first episode that doesn’t start with a Veridian commercial, but it does have one. It’s used later to underscore and sort of offer a rebuttal to all the family nonsense going on here. This one starts with Ted bringing Rose to work with him because the nanny is sick and it’ll take a day or two for Ted to line up some after-school childcare. Veridian has a daycare center, so it seems like an easy fix… until Ted learns that the children are put to work while there – actual work, like painting the parking lot lines, not just busywork, like fingerpainting. Best line in the scene, when Ted realizes what is happening: “That seems a little…” the daycare worker cuts in with “Innovative?”
So Ted takes Rose with him to work, even though the team is working on a not-kid-friendly project. But first he runs into Veronica, who tells him there’ve been too many false contamination alarms going off in lab and it wastes too much time when the lab techs put on the hazmat suits every time, so could he tell them to stop doing that? Of course he will not, on the off chance one of the alarms is real (even though they almost always aren’t). Then Ted introduces Rose to Veronica, who says “You’re always welcome here, daughter of Ted,” which leads to a whole names thing, which leads to Veronica exasperatedly saying, “I know everyone’s name,” which is a much better line than it looks like typed out here.
We’re off to the meeting room to talk about a deadly new weapons system, but because Rose is present, they have to use kid-friendly terminology, like “bunny” for “bomb” and “snuggling” and “cuddling” for killing. It backfires a little, since Rose is horrified that they would drop a bunny from 30,000 feet. When the meeting’s done, Phil is stocking up on sandwiches to take with him, and Lem tells him not to, leading Rose to ask if Lem is Phil’s boss now, which leads to the other major storyline here, where Lem and Phil have a power struggle over who’s in charge of the lab. eventually this leads to them designing a system where one of them is in charge for ten minutes, and then the other for the next ten minutes, since they discovered by trial and error (science!) that ten minutes was the longest either could go without the system breaking down.
Now we get to see Rose interact with Linda, and it goes about how you’d expect: very well. They get along so well that one of the pictures Rose has drawn is of Ted, Rose, and Linda all holding hands, leading Linda’s great line: “”Kids: God’s little awkward-moment machines.” Of course, this just makes Ted think more about the possibility of starting a relationship with Linda, and it’s put into even sharper light by the fact that Linda is going to meet an ex-boyfriend (Don) for lunch, but wants it to be clear to Ted that she’s still interested in him. She does this by using language that would clearly qualify as sexual harassment, but since this is a sitcom and Ted’s maybe-sorta-interested, no one gets put on probation or has to go to any mandatory meetings (yet!). All I can say is that I think Rose needs her hearing tested, as she’s barely a few feet away but doesn’t seem to hear any of these goings-on.
Ted needs someone to watch Rose while he goes down to the lab to see what’s going on with Phil and Lem. “I can wash Rose,” Veronica says. “I said ‘watch’ her, not ‘wash’ her, ” Ted replies. “Hmm. Even easier!” says Veronica. I absolutely love that little exchange. Rose is okay staying with Veronica because Veronica “looks friendly enough.” “Thank you! I am friendly enough!” replies Veronica. This whole scene is gold, I tell you!
And now we come to this week’s Commercial:
Veridian Dynamics. We’re a family, just like yours. But we don’t waste our time throwing leaves around. We put our family to work. We mean real work, not just eating mush. Our Veridian Dynamic family works for every member of your family, even the dead ones. And we’re working to bring them back and copy them, in case you lose them again. We love our family, which is why we work nights, weekends, and major holidays, because that’s when families should be together… Veridian Dynamics. Family. Yay.
One of Veronica’s bosses comes in to inform her that they’ve found out the false alarms in the lab have been set off by “a couple of idiots in her department.” (The boss is played by Richard Fancy, better known as Elaine’s boss Mr. Lippman on Seinfeld.) Veronica uses Rose to defuse the tense situation with her boss, and it goes so well that Veronica decides to take Rose along with her when firing the two idiots. When the first firing (Jerry) goes well, Veronica says that Rose should do the next one. Rose uses advice from her dad to decide that, yes, she should fire Hal (the second guy) – “My dad is always telling me to try new things.”
Ted’s down in the lab checking on things and he asks Lem about his office affairs, still trying to figure out if he should go ahead on things with Linda. We find out that Lem had two at the same time, and it nearly killed him. “So you’d advise against multiple office affairs,” Ted concludes. “Who said that?” replies Lem.
Linda comes down to the lab to talk to Ted, and while they’re talking, a contamination alarm goes off, so they get into hazmat suits. This leads to them talking about how they feel, which leads to them hilariously “kissing” through the faceplates of their hazmat suits. The romantic music swells – this is the big romantic payoff we’ve been waiting tw0-and-a-half episodes for! – and then Ted decides he’s in, he wants to do this and he starts taking off his hazmat suit. The music abruptly stops and Linda says, “Well, now I’m feeling all self-conscious, like I’m being pressured to take off my helmet.”
Before anything further happens, Hal wanders in to get a donut, sans hazmat suit. He admits that it was a false alarm and that he and Jerry have been setting them off to get more break time. Ted finds out that Veronica has Rose firing people (and doing a great job of it, admits Hal), so he needs to get up there and take care of that. On his way out, he finds that Phil and Lem are in the same hazmat suit because there was only one available, and figuring out that solution helped them to understand they work better as a team rather than each other’s bosses. They’re buds again!
Veronica has done Rose’s hair in “power hair,” which “feels weird,” but is part of Veronica teaching Rose about being a woman in a man’s world. Rose tells Veronica she’s had a good time, and Veronica says she’ll miss Rose, saying she’s “a very useful little girl. “You are a very useful little girl,” V tells Rose. “Do you have a card or something you could leave me?”
The next day at work, Ted is realizing two things. One, a multinational corporation is no place for a child (“I’m learning a life skill,” says the kid janitor who comes in at this point to empty Ted’s trash). Two, his one office affair rule is dumb – he likes Linda, Rose likes Linda, let’s do this thing. he strides purposefully to Linda’s cubicle to tell her, only to find her frustrated because Miriam in payroll is counting Linda’s time in contamination alert as break time. Linda reveals that when she’s frustrated, sometimes she wants to run away from it all, to a cabin in Oregon, and during her speech about how great the cabin is, Ted realizes he can’t bring another person into Rose’s life who might abandon her like her mom already did.
This is the second thing I really like about this episode. Ted’s reason for not wanting to date Linda up to this point has been a business decision, based on something he figures make sense. When he finally comes around to realizing that the logical choice doesn’t always make sense, he’s given an actual solid reason why he can’t date Linda, and it’s a reason we can get behind – he’s being a good father, and he’s making the tough choice. So many sitcoms have made so many lame excuses for the leads to not get together, and it’s refreshing to see a real reason.
He tells Linda they can’t date, but doesn’t tell her why, saying just “It can’t happen right now.” Honestly, I get a little sad for both of them in this scene. Ted’s just had to come to a difficult decision, and Linda is expecting something completely different and is thrown this curveball.
The episode ends with Veronica down in child care looking for a Rose replacement, but none of the kids are exactly right. “Sorry,” says the daycare worker. “It’s just what you see. But we do get new ones in every day.”
Ideas/Inventions mentioned in this episode:
- Deadly new weapons system
- Line of diet foods that involves a green putty
Coworkers named/seen:
- Jerry and Hal – the idiots who set off the alarms and get fired
- Miriam in Payroll, who wants to count Linda’s time in hazmat as break time. Miriam is in India
- Unnamed daycare worker – at least, I didn’t catch her name. IMDb says her name is “Lisa”
Next week: S01E04 – “Racial Sensitivity”
Tags: Better Off Ted, LWST
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February 8, 2013 Favorite Things: Scene From Yes Man
I am fascinated by what appeals to people – more specifically, I am fascinated by what things get assigned to the “universally good” pile, things that the overwhelming majority would say they liked: The Princess Bride, The Cosby Show, The Beatles (whoa, hey, they all have “the” in common). Sure, you’ll find a contrarian here and there that won’t like those things, but there are things 90% or more of people would say are “good” or “enjoyable.” From there, it gets even more interesting to see the “only good for a few, reviled by the rest” things, and all the other little subgroups that vary out from there.
Yes Man is a movie that doesn’t generally inspire deep feelings either way for most people. It’s sitting at a 6.9/10 over at IMDb, right in that meaty part of the curve. It doesn’t inspire great expressions of love, but people don’t generally hate it, either. Most common response you’ll get from people on it is “It’s all right.”
But me, I love it. It might even be a Top 20 movie for me. Sure, I unironically love Jim Carrey movies, and it’s got Zooey Deschanel, and a bunch of other things in it, but the bigger part was the “say yes to more experiences” message it had. Yes, I know it’s all very After School Special and predictable and treacly and whatever else, but I saw the movie at exactly the right time for me, and it honestly (along with some other things at the same time) helped me make some positive changes.
I don’t want to spoil anything for you, but you can probably figure out that in the last fifth of the movie, all the stuff Jim’s been doing and learning in the first 4/5ths start paying off. This scene isn’t the biggest payoff or even the biggest focus, but it is one of my favorite scenes:
List time! Here’s what I like about this scene:
- Is part of it that the jumper is played by Luis Guzmán? I think so. He comes across as just the right sort of desperate, and you really feel like he’s at the end of his rope. At the same time, he’s willing to listen to Jim Carrey, even berating him for taking too long and being horrible at what Luis thinks is his job.
- I like how Carrey plays it – knowing he has to do something, he’s just not sure what.
- He takes the time to tune the guitar! Ha!
- I love the power of music as shown here. I understand that this song was pretty popular back in the day, but I had never knowingly heard it before I heard Jim Carrey’s version in this movie. I love that he can’t remember the second verse, prompting Luis to burst into it, with a sort-of “are you kidding me with this? how do you not know this?” vibe, and then the whole crowd kicks in.
- Luis inches back toward the window, and Jim grabs him and throws him to the floor – is that standard procedure in these situations? All I have to compare it to is Riggs handcuffing himself to the jumper in Lethal Weapon and jumping.
- The stinger on the scene: Jim strums that last chord and shoots the horns at the floored (in more ways than one) Luis, as if to say, “Alt rock just saved your life”
It’s very full of hope, and I like that.
Tags: Favorite Things, video
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February 7, 2013 My Head Hurts
There are some actors that compel me to see their movies just by being in them. None of them ever call me up and say “Hey, you better see my movie or I’ll kidnap your cats,” but they might as well for as compelled as I feel. Sylvester Stallone is pretty high up on that list, and that’s even with a history of films that includes Stop! Or My Mom Will Shoot and Eye See You (neither of which I’ve actually seen, ironically enough).
Why is that? Why do people give so much leeway to certain actors? Most people have an actor or two that they respond to similarly – they might not go to the movie opening weekend, but they’ll make a mental “ooh, I should see that some time” note. My list includes Stallone, Schwarzenegger, Winona Ryder, Kevin Costner, Bruce Willis, and apparently my list is made up of people who started making movies a long time ago. It’s not that I don’t enjoy newer actors, it’s just that they don’t spring immediately to mind.
The point is, I go into these movies with bonus points already applied to the Like column. I’m predisposed to liking the actor, so I’m ready to give the movie a chance, even if I’ve seen the trailer and should know better. Let’s face it: if you’ve seen the trailer you can get a good sense of the movie. If you’ve seen more than one trailer, you sometimes don’t even need to see the movie, except maybe to pick up that one insignificant plot twist they didn’t reveal in the trailers.
So I knew going in to Bullet in the Head what I was getting into, for the most part. Sly’s an aging assassin who has to work with a cop to figure out what’s going on. Shooting ensues and there are several bullets to several heads, and Bobby Cobb shows up but doesn’t play any Penny Can, and then there’s an axe fight with nuConan, making this the second movie in Stallone’s oeuvre after Cobra to feature axes – third if you count Cliffhanger.
Even knowing all that going in, I still ended up disappointed. For the same reason I look forward to movies by people on this list I keep, I want good things to happen to those people. I know that doesn’t make any sense – these people have already had a pretty blessed life for the most part. I dunno, it’s probably a little selfish. I want them to have good movies happen to them so I can enjoy the good movies, maybe?
Regardless, this movie isn’t very good and I’m sad about it. The tone was weird, the dialog wasn’t very good, and some of the acting was just strange. I’m not a guy who can sit here and tell you exactly why something doesn’t work, but I sure can sense when it doesn’t. For a guy like me who goes into something wanting to like it, sometimes it’s more difficult when something ends up being not good.
But, in keeping with the idea of this site, let’s see if I can’t find some Good Things in this particular Bad Stuff:
- The title of the movie is very Snakesonaplaneian, delivering exactly what it tells you it will.
- Jason Momoa has the potential to be a pretty good bad guy.
- The car at the end of the movie is pretty sweet.
- Even though he didn’t end up being in the movie, the idea that Thomas Jane was supposed to be makes you imagine what that movie might have been like, and it seems like that would have been pretty neat.
I’ve already decided that next week’s Tuesday 10 is going to be Stallone movies, so feel free to catch up on all the ones you’ve missed in the next five days.
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