December 20, 2012 The Absent Minded Waiter
In the history of entertainment there have been two (with a slightly-possible third) entertainers who’ve had careers I wish I had: Phil Hartman and Steve Martin (possible third: Jim Carrey). Unfortunately, we’ll never get to know what else Phil would have done, but Steve keeps surprising us. I strongly urge you to read his autobiography Born Standing Up: A Comic’s Life if you haven’t already. It’s wonderful. He has written books and plays, done stand-up and magic, movies and TV, and even plays the banjo well enough to get Grammyed for it. There’s your entertainer, my friends.
While you have most likely seen The Jerk and Planes, Trains, & Automobiles and maybe read The Pleasure of My Company, there’s a good chance you haven’t seen The Absent Minded Waiter. The quality on this video isn’t great, and you likely won’t enjoy it as much as I do, but I think it’s another fun piece of the Steve Martin puzzle. Plus, Teri Garr is in it, so it’s got that going for it, which is nice.
Tags: Steve Martin, video
- 2 comments
- Posted under Comedy
December 19, 2012 Why?
While I was playing The Simpsons: Tapped Out the other day, I said to my wife, “The Muntz house cost me $74,000! That’s crazy!” Her response was, “Why do you need to buy it?”
I didn’t have an immediate answer for her.
The best response, I guess, is “Because it’s there!” You can climb Mt. Everest if you want, I’ll be buying buildings in Tapped Out. We’ll let history sort out who chose more wisely.
Practically, if I don’t buy the next house/building in the quest chain, the game has no purpose and won’t really continue. I’ve mentioned before how this is a new type of gaming experience for me. In most games you upgrade because you need better tools/weapons to get past a more difficult section. In Tapped Out, the buildings earn money every so often, and you need money to buy more buildings. It’s… kind of evil, really, this cycle.
But here’s where Tapped Out differs from Farmville and its ilk, at least for me: it’s the Simpsons. I have a lot invested in these characters and their town. When I get the chance to build Town Hall, I want to for two reasons: I get more of Springfield rebuilt, plus I get Mayor Quimby. Because I know the character from years of seeing him on the show, I enjoy having him roam around town spouting Quimbyisms. Plus, now I have another money earner, which will help me buy more buildings.
I currently have 24 characters. If I was able to devote time every hour to send them all on a 1-hour task, they would earn me $1,680 every hour. In 44 hours (not counting special quests which earn more) that would buy the Muntz house. But after that, the Post Office costs $138,000, and it doesn’t even come with a character. I can’t see what the other available buildings cost, because they don’t show the cost until a quest opens the ability to buy them, but I can guess they’re going to be even more expensive.
Recently I got the Springfield Downs, the dog racing facility. It’s rare for a game to openly mock a person playing it and get away with it, but that’s exactly what’s going on with this building. See, instead of paying out money every 4 or 12 or 24 hours, Springfield Downs lets you bet on races. Every bet is for $5,000, but you might get back $6,250, $7,500, $10,000, $15,000, or $25,000. It takes 3 hours for my characters to earn the $5,000 bet, but it would take them 15 to earn $25,000, so it seems like a good idea! It is not. It never will be. Much like playing the lottery in real life, it makes more sense to keep earning and save up. Because if you lose the bet (and you will), that $5,000 doesn’t cost you three hours, it costs you six.
Another part of the evil beauty of this game is the monthly task mechanic. In October, the game had spooky trappings all over, with both buildings and characters getting makeovers into Halloween-themed things. In addition, certain jobs rewarded the player with treats, and enough treats could buy special items. December has a similar thing going on, only it’s “Santa Coins” instead of treats. Spending Santa Coins on house decorations allows those houses to earn Santa Coins daily, which can then be — well, you see where this is going. 450 Santa Coins later, and I’m currently building the Try-N-Save.
Every month or so when the game is updated, more buildings, characters, and levels become available. The current level cap is 24 (which I am halfway through), but it won’t surprise me when they raise it to 30 or more. The game has 23 years of history to draw from, and it costs them nothing to add more virtual land (another thing that gets crazy expensive as time goes on – my first extra lots cost $2,400, current lots are going for $33,000).
The donut system is one more level of evil that proves some of the most sadistic and greedy minds in the business today are working on this particular game. Not only do donuts allow you to speed up construction on a building (it can take 24 hours for a building to go up), but enough donuts will buy you premium buildings and characters you won’t get any other way. Two hundred donuts, for instance, will buy you the Springfield sign, which then makes all jobs earn 4.5% more money. You want to know how you can earn 200 donuts in the game? You can’t. You earn 1 or 2 donuts every time you level up, so right now the most you could earn from that would be 48. You might get an unexpected donut from a task now and then, but it’s so rare that it might as well not even happen. You want more donuts? Sure enough, you can spend real word money to buy them. $99 (again, of real money) will buy you 1,400 in-game donuts. In real life, $99 will get you around 396 real donuts, assuming a $3/dozen price, which seems generous. So of course it’s ridiculous. But the thing is, when you get to the point where there are only one or two buildings left to get, and there’s no way for you to get Duff Man or Otto or Bumblebee Man without spending donuts, it gets very, very tempting to spend that real money. “Hey,” you’ll rationalize, “the game was free, so if I spend $20 on donuts it’s like I paid that much for the game, and that’s pretty good for a game I like this much.” You have no idea how much sense that statement makes until you get to the point I’m at. I’ve never been addicted to drugs, but I think I’m starting to understand that lifestyle a bit more.
So, back to the question: “Why upgrade?” My goal in most games is to see the story unfold, see where it ends up. Tapped Out has a bare minimum of story: you’re recreating Springfield after a nuclear power plant disaster. Sure, you get other mini stories when you’re given quests, and they are cleverly written, but there’s really not much there. I don’t think I have a good answer to the question. At this point, I’ve become fascinated with the gameplay mechanics, in part because I’ve never played a game like this before (although The Sims comes close), but also because I feel it’s helping me understand myself as a gamer a bit more. Now, I’m not sure if it’s revealing good things about Me As A Gamer yet, but it is at least very interesting.
I do know, though, that I have to keep playing. A few days ago I planted a corn crop at Cletus’s farm, and it won’t be ready for another 86 days.
Tags: Simpsons, Tapped Out
- 8 comments
- Posted under Mobile, Videogames
December 18, 2012 Tuesday 10+10: TV Theme Songs
When I was a kid I would occasionally record TV theme songs by holding a tape recorder up to the TV right before the show started. We didn’t have your fancy Internets and DVRs back then, so that’s how we did it. I guess that kind of makes me a pirate? I never sold copies, so maybe that’s my loophole.
Since you got ripped off a few weeks ago and only got five recap raps, here are my 20 favorite TV theme songs. This is not a “20 favorite TV shows” list – please don’t confuse them!
20. Gilligan’s Island – This one is fun for a couple of reasons. First, right after the line “if not for the courage of the fearless crew, the Minnow would be lost” is immediately followed by “the ship struck ground…” Not so courageous, eh, crew? Second, it tells you exactly what sort of show you’re getting yourself into. Third, it has great literary merit: many Emily Dickinson poems can be sung to this tune. If you need to memorize any of her poems for a test or something, here’s a lifehack. You’re welcome.
19. The Andy Griffith Show – If you don’t like whistling along with this one, you’re probably not human.
18. The Monkees – A loopy, fun song for a loopy, fun show.
17. M*A*S*H – Back when people used push-button phones and each button made a particular note, I was able to play this one on a telephone pad. Don’t let the fact that the name of the song is “Suicide Is Painless” bother you too much, just enjoy the pretty music, okay?
16. Cheers – This one is usually at the top of most people’s lists because it’s pretty much great. I just happen to like some other songs more.
15. The Tick – You just can’t beat lyrics like “dut dwee dut dut dut dwee dow.”
14. Futurama – Those bells! But my favorite part is right before the ship crashes into the TV, that descending little whatever-you-call-that.
13. The Sopranos – One of those “perfectly fits with the style of the credits” kind of songs. It sets the tone for the show in unexpected ways.
12. Malcolm in the Middle – I liked this song before I ever even knew who They Might Be Giants were (was?). In fact, it was this theme song that made me seek out TMBG music.
11. Bones – Reminds me of The X-Files theme a little. Fun fact: this song was in the running to be the song my wife and I exited to at our wedding. It narrowly lost out to The Beatles’ “Good Day Sunshine.”
10. Batman – I actually don’t like the show very much, but there’s no denying that’s a great theme song. Click that link there and say goodbye to the rest of your day.
9. The X-Files – Perfectly spooky.
8. The Simpsons – I love Danny Elfman’s music in general, so it’s no surprise I would like this one.
7. Teenage Mutant Ninja Turtles – Heroes in a half shell! Turtle power! Tells you most everything you need to know about the Turtles, and it’s supremely singable.
6. Star Trek – Beautifully haunting, and a huge part of my geek awakening.
5. Buffy/Angel – I know they aren’t similar at all, but these two are indelibly linked in my brain. Truth be told, I actually prefer the Angel track a bit more.
4. The Drew Carey Show – I love both versions, too: Moon Over Parma and Cleveland Rocks! which is another of the most fun opening sequences ever.
3. Doctor Who – The newer version is not bad, but I don’t actually like the newest version as well. This original one is the one I think of when Doctor Who is mentioned. The baseline beat coupled with the “woo-OO-ooo” makes this one awesome.
2. The Muppet Show – Well of course this song. And I love all the different things the Gonzo does at the end, from exploding to mooing to everything else.
1. The Norm Show – Chances are good that you haven’t even heard of this show and chances are even better that you’ve never seen it. While I do enjoy the show, I love the theme song. It’s so catchy and sorta-insulting and I love the later-season credit sequence that goes along with it.
Bonus Tracks:
These don’t make the list for one reason or another, but they deserve to be mentioned:
- Sanford & Son – I love the version that Turk & JD do of this.
- Fresh Prince of Bel-Air – I’ve seen fewer than five episodes of this show (I know that’s a travesty!), but I still love the theme. What I love even more is that link there, where Will Smith performs it along with an audience earlier this year, without cue cards or prompts – he still knows it, and I love that.
- The Greatest American Hero – I mention this one strictly so I can link to George Costanza’s outgoing message.
- Happy Days – This is one of the first theme songs I remember taping back in the day.
I know I’ve left off some great ones, and it’s either because I don’t watch the show or because it just didn’t make the cut. Let me know in the comments what I’ve missed!
Tags: Tuesday10
- 14 comments
- Posted under Music, TV
December 17, 2012 The Hobbit: An Unexpected Journey
The first film in the Hobbit trilogy opened to $84 million in U.S. this past weekend, and $138 million more worldwide. Not too shabby, even if some people are saying they expected it to do better. I’m sure the running time affected those numbers a bit and I’m also sure the movie will do fine in the long run, and I’m further sure that haters gonna hate.
Another thing I’m sure of: I loved it. I, like many of you, loved the Lord of the Rings movies, so when I heard they might be making a movie from The Hobbit, my first response was “Shouldn’t they have made that one first?” immediately followed by “Sweet!” Then it became less and less of a sure thing, then it was back on, then it was going to split into two movies, and then finally three. Each successive bit of news made me more worried about the final product, I’ll admit.
I went to a midday showing on Saturday, to a “regular” version: not 3D, not 48fps. Immediately I was back in Middle Earth, and glad of it. The opening scenes revisit scenes from The Fellowship of the Ring, and I couldn’t help smiling at seeing familiar characters again. Those feelings didn’t subside when the “new” characters started being introduced, and I can honestly say I enjoyed the whole movie.
Your Hobbit purists will most likely take issue with the extra stuff included with the movie. I haven’t read the book in a while, but there are many things in the movie that aren’t in the book, which is the big reason the book is being split into three movies. Stuff from Tolkien’s Silmarillion has been inserted, and it’s world-building stuff that I like seeing. It’s still technically canon, so I’m not sure what the griping is all about.
There were a few moments that made me raise an eyebrow (do the houses in Hobbiton really have plumbing?), but I enjoyed it overall and can’t wait for the next installments. Furthermore, I already can’t wait for the day when I can host a Hobbit-watching marathon.
Here are some of my favorite things about the movie:
- Martin Freeman as Bilbo. I haven’t seen Sherlock yet, but I thought he made a great Arthur Dent. He makes an even better Bilbo Baggins.
- Gandalf!
- The song that the dwarves sing in Bilbo’s house becomes their theme music, and it is absolutely beautiful.
- Galadriel! (Please refer to the caption on the header pic)
- Elrond! Hugo Weaving has done some great work in some fantastic movies, and Elrond is one of my favorites.
- Gollum! – though this one comes with a caveat. My wife really likes talking like Gollum and it creeps me out something fierce.
- Revisiting places we saw in The Lord of the Rings (even if technically these are the first time we see them, timeline-wise)
In a way, the subtitle “An Unexpected Journey” couldn’t be more wrong. It’s a familiar story to many, many people, and anyone who has seen or read The Lord of the Rings knows what happens to Bilbo. For me, the unexpected part is just how much I would enjoy going back to Middle Earth and seeing it before Sauron has regained power.
I leave you with these two things:
- If you haven’t seen the movie yet, do yourself a favor and print out this chart and take it with you before you go. There are a lot of dwarves, and I wish I had taken that chart with me to help me keep track of them.
- If you haven’t heard Leonard Nimoy sing “The Ballad of Bilbo Baggins” then you need to rectify that right quick. SPOILER ALERT: The 60s were weird, man.
Tags: hobbit
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- Posted under Movies
December 14, 2012 Favorite Things: The Muppets, Part One
As I’ve mentioned before, I like a lot of pop culture. Then there’s stuff I love. The Muppets is something I Love (capital intended). My exuberance for The Muppets could lead to a several-thousand-word essay on them, so in an effort to curb myself a little, I’m limiting my reasons today to two message-related ones.
Reason #1: You gotta have friends
Every episode of The Muppet Show is an exercise in barely contained chaos. On any given day there are chickens, living furniture, a 7-foot-tall singing carrot, a whatever Gonzo is, an egocentric pig, a guy who blows things up, a guest star who doesn’t realize what they’ve gotten themselves into, and any number of other variables, any of which can (and usually does) backfire. Kermit, genetically engineered to be incapable of not Putting On A Show, pulls the group together, week after week. He coaxes, he cajoles, he threatens, and each week the show goes on. He is often frustrated by his fellow performers, and they are often frustrated by him. One week he’ll fire someone, only to realize 10 minutes later he can’t live without them and hires them back. He quits, but he comes back – he can’t live without them just as much as they can’t live without him. They are bound by a common need to entertain, and they need all the pieces in place (except, of course, for Wayne & Wanda – Kermit realizes that so much he fires them twice). He can’t put on a show by himself and the rest of the gang couldn’t ever get themselves organized enough to do it without him. Amidst this delicate balancing act, though, there’s true friendship. When one Muppet is down, the others rally around for support, even if that support takes the form of something very, very weird. Consider the most recent movie, where they all need to band together to try to save the theater, but first they must overcome feelings of abandonment and hurt.
True friends forgive, forget, and forge on, just like The Muppets.
Reason #2: Do what you love, regardless of who cares
The Muppets are fully aware that the show they’re putting on isn’t for everybody. They flat out admit several times that the stuff they do is weird, stupid, and/or ridiculous. Even the very guest stars that appear on the show talk trash about the show – “I can’t believe I’m doing this,” or “I’m going to fire my agent.” The audience (also made of Muppets, so you’d think they’d be more understanding) is often hostile, with two particular members spending money every week to get a premium box seat for the specific purpose of mocking the performers. But a mean audience is still an audience, and The Muppets must perform – their nature demands it!
In a way, The Muppets inspired this website. Is a “serialized love letter to pop culture” an important thing? About as important as putting on a show every week. There’s a difference between “art” and “entertainment,” and I figured out a long time ago on which side of that fence I fell. I want people to enjoy what I do, but The Muppets taught me that even if people don’t, I should do what I love (please don’t follow this advice if what you love to do is beat people up – don’t be naughty, folks).
Future episodes of “Favorite Things: The Muppets” will talk about history, situations, and specific characters. I could talk about The Muppets all day, folks.
Tags: Favorite Things, Muppets
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- Posted under Movies, TV