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I guess I just like liking things

The entire plot is printed on the back of the DVD case for “Bull Dance”. I’m going to assume this is as a warning to people who might be thinking of either buying or watching it. It’s convoluted, so try to stay with me here.

This movie is listed as “Forbidden Sun” on IMDB, but I can only go by what’s printed on the case in my hand. That’s a lie, I can do what I like, but let’s pretend I have rules to live by. Do you know who’s in this? Cliff De Young is in this. I’m pretty excited about Cliff being here – he played Brad in “Shock Treatment”, the Rocky Horror follow up which is almost universally loathed but I happen to love. Judge me if you must, it’s a great movie. It’s also got Lauren Hutton, but the last time I saw her she was trying to sell me make up at 3am, so I’m less invested.

The credits open with some Greek myth babble from some teenage American girls, played over lingering shots of Greek ruins and other things that are also Greek. They’re discussing the Minotaur and the history of the Greek Myths surrounding him. They are also giggling a lot because that is what teenage girls do. There’s a shot of what appears to be a body in a weird helmet, floating in the ocean.

Through a bustling Greek village, a blonde girl dressed in white (Paula) is following a Greek man who is carrying her suitcases. He takes her to a boat where he completely fails to have a Greek accent. Another girl (Elaine) joins them, and they travel over to an island which is apparently a gymnastics training school of some kind. It’s called “The American School in Crete” so gymnastics is obviously what it does, and the sign informs us it’s also a Center for Greek Studies. The girls establish via conversation that they are most excellent gymnasts and the school is gold medal standard. Paula has a gold medal from the LA Olympics, but has been sick and is trying to get back into form.

Once at the island, the boat driving guy (who is named Ulysses) tries to grope Elaine and then carries Paula’s bags for her to her room because girls who do gymnastics are too feeble and weak to carry their own bags. Paula is worried about going off with Ulysses because of his wandering hands, but Elaine reassures her by saying Greek men think the girls are not covered enough, so they think it’s okay to grope them. She says this with a giggle and my eyes roll out of my head.

The common room is full of American teenage girls as Paula follows Ulysses through to an office. He suddenly remembers he’s supposed to be Greek and has a go at the accent, but needn’t have bothered. Charles Lake appears suddenly to welcome Paula to the school. Hey look, it’s Cliff De Young! Yay! Lauren Hutton bursts in, she’s Mrs Lake and is uncomfortable with how cheerful and nice Charles is being. Mrs Lake also has a gold medal from some Olympics too unimportant to mention by year or city.

A girl called Jane turns up in Paula’s huge bedroom. The building is never shown from the outside, so there’s no way to see just how many bedrooms there might be, but if they’re all the size of Paula’s room the school must cover a couple of acres at least. Jane says has to stay at the school forever because she has nowhere else to go and Paula couldn’t be less interested in the story.

In the gym, the coach (who has all the athletic grace of a brick and is named Jack) is helping the students throw themselves around on stuff like mats and bars. I’m not really up with the world of gymnastics, you may be able to tell. Paula wanders in and is all dewy eyed about the place. She does some strenuous warming up by flopping her wrists about. There’s a long (so long) slow motion montage of girls being gymnastic and some pretty obvious body doubling for the actresses who aren’t so bendy. Paula’s body double isn’t even the same general shape as the actress. I have plenty of time to notice because there’s such a lot of slow motion montage.

Early public transport prototype

Early public transport prototype

Paula spots a statue at the end of the room. It’s a snake goddess, belonging to Mrs Lake. Paula is obsessed which she indicates by wide eyed staring. In the classroom, Mrs Lake is passing around a mini statue of the same goddess. She then takes the students to somewhere else which I guess is also on the island and shows them a mural of the bull dance, which involves leaping a charging bull and turning a somersault off the bull’s back. Those who didn’t survive the feat and were gored to death instead were counted as sacrifices to the Gods.  Mrs Lake states that no modern gymnast would be able to do it so Jane says “I am totally going to do this” because she’s moody. No pun intended.

Apparently the island also has the actual Minotaur maze. Jane is all “I wish I’d killed the Minotaur” because she’s also hard core. Some of the gymnasts have climbed a wall of the ruin and are turning cartwheels along it, but Paula loses her nerve and has a freak out about a gap. She makes it over the gap (which is about a foot wide and could be stepped over instead of cartwheeled over, but gymnasts are contractually obliged to cartwheel whenever possible). Turns out Jane decided it was a good idea to be up on the wall, and Mrs Lake has a grump about how they are not even real athletes.  Though really if you’re going to have students leaping about on walls it’s better they be gymnastics students than, says, woodworking ones. Jane does some pouting and stomping because she got told off.

Elaine’s boyfriend is in a band and provides the music for the beach party. It’s horrendous, but he’s pretty cute so we’ll let it pass. Jane is sitting on a log, and is joined by coach Jack who is concerned about Jane who is just not paying her dues to the Lakes who rescued her from reform school. A snake appears and Jack picks it up because he’s a manly man and it’s made of rubber. Jane bites the head off the snake and Jack almost kisses her because that’s pretty hot apparently and also he’s a teacher so that’s gross.

Jane tells Elaine they should to a Bull Dance for the end of term show, over someone in a bull mask instead of an actual bull. Elaine dashes off to ask her boyfriend to design it, while Betsy barges in to say there’s peepers outside again. The peepers are in a boat, and only one of them remembered to bring binoculars. Turns out it’s Ulysses who is giving the accent a real go this time as Mrs Lake discovers him perving on the girls. Despite them being only three feet from the shoreline, Mrs Lake shouts her face off at them.  Jane has decided to give the perverts a scare by appearing as the Snake Goddess on the roof. In order to discourage the perverts, she has dressed exactly like the Snake Goddess, which is basically topless. The logic of this seems somehow faulty. “Hey perverts! In order to punish you for perving here are my breasts!”

The following morning, Mr and Mrs Lake explain they have to send her back to Texas. At the mention of Texas Jane develops a Texan accent. Maybe the actress should have read the whole script so she’d know she was supposed to be.. wait it’s gone again. The Lakes do a lot of head shaking and sighing and then give her one more chance. Later, Coach Jack tells her he’s disappointed in her and her performance in class, so she offers to sleep with him to cheer him up. He declines (I am relieved).

Elaine rocks up to the house her boyfriend is staying in with his massive band of about 20 people and asks him to make the fake bull, showing him a picture of a bull in case he’d never seen one before. Meanwhile, the rest of the class is swimming in a waterhole. They’re discussing a party they want to go to but aren’t permitted to attend for some reason. Being rebels, three of the girls swim to the mainland to attend the party, and manage to keep dry sarongs to put on over their suits once they arrive. The party is at the bands house. Someone wanders through and says “It’s all Greek to me!” while being snuggled by two women. Hilarious.

Boyfriend guy has made a bull mask so Elaine sleeps with him on the spot. First a headless snake, now a bull mask – these people are turned on by the oddest things. Meanwhile the Lakes are having an argument about how Mrs Lake doesn’t want to sleep with Mr Lake any more. He doesn’t try biting the head off a snake, which is a Rookie mistake. He’s even more annoyed that Mrs Lake loaned his book to Jack. Mr Lake wants to move back to Texas, but Mrs Lake is determined to stay at the school and is also a little bit obsessed with Greek myths. She’s not ever going back to Texas. Ever. You can just shove that idea right up your jumper. Okay she didn’t actually say that, but it was strongly implied.

Jane is on her bed in her underwear, wearing the bull mask. She takes it off and puts on a robe, staring at herself in the mirror. Running out onto the balcony, she finds Mr Lake who is sulking about his mean wife. Jane sneaks away before she’s spotted and goes to visit Coach Jack who is in bed with Mrs Lake. Mrs Lake sneaks out the back door and runs around to sneak up behind Jane. “Are you sleep walking Jane?” she says. Instead of just saying “Stay away from Coach Jack at 2am,” Mrs Lake leads the ‘sleepwalking’ Jane back to her room, but they meet Mr Lake on the way and he’s in such a mood I can’t even tell you. He has a tantrum and storms off.

The students are all on a long run around the island. At least it’s not in slow motion. It’s such a long run that the light changes from afternoon to sunset back to afternoon, so I guess they time travel or were out all night. Paula is grabbed from the group and taken into the woods. Jane and Betsy are sent back to look for her. She is found in a cave, unconscious and with torn clothes. Jane has seen Ulysses’ boat heading away from the island.

The police arrive and the cop decides she probably went with the man willingly because all young ladies sleep around, especially half naked Americans. The cop (who has a French accent today) looks around at the girls on the dock and states they are practically naked. As they’re all in shorts, t-shirts and some have jackets on it doesn’t really work as an observation. He states that girls who go around half dressed like this deserve to be attacked and he won’t bother to look for the guy who did it.

The students are justifiably furious about this. Jane suggests some vigilante justice against Ulysses. Elaine and another girl take a rowboat over to the mainland (wait, there’s a boat? Why did they swim last time then?) and track down Ulysses in his workshop. Arming themselves with spanners, they flirt awkwardly with Ulysses and ask for his help at the school. He’s lead to the gym where Betsy is working out on the uneven bars (HA! I knew the name of that one). The girls get him to stand like a bull because they’re going to do the Bull Dance with him. Elaine hands him the bull mask.

Ulysses acts like a bull while the girls dance around him in a frenzy under the watchful eye of the Snake goddess and then he realises he’s locked into the mask as they attack him.  For reasons that are unclear, Ulysses is “charging” and running around on all fours – probably mysticy mythy stuff at work. Jane has found a sword and she’s about to stab Ulysses but Elaine stops her because Elaine isn’t moody and weird. Jane leaps over Ulysses and does a somersault off his back just like she wanted to at the start of the movie. She’s all stoked at being the first person in 3000 years to do the bull dance (really? What? No one has jumped over a dude in 3000 years? Does it even count if it’s not a real bull?). She’s so pumped about her amazingness and the other girls are so horrified that she jumped a dude that they don’t notice Ulysses picking up the sword. I still don’t know why there’s a sword. I wonder if there’s a directors commentary to explain these things to me.

Moove it or lose it (sorry)

Moove it or lose it (sorry)

Ulysses grabs Elaine, but is knocked out by Betsy lightly tapping the mask with her foot. Elaine runs up to call her boyfriend to come and collect Ulysses, but the school has one phone and there’s a queue. But oh no! The occasionally French policeman is on the island who has spotted Ulysses’ boat at the dock. Mr Lake doesn’t know why Ulysses is on the island so late at night. Having left the school boat on the mainland apparently, Elaine decides to swim for it. The others hide Ulysses in the gymnastics horse.

The Policeman wants to have a look in the gym, so Mr Lake goes off to find the key. The girls panic, thinking they’re trapped but then Jane remembers the Labyrinth which… has a door to the gym. Wow. Okay. The girls get lost in the labyrinth of course, but I have to say it’s quite well lit for a series of underground chambers. Mr Lake and the policeman hear a scream when one of the girls sees a bat, and so they follow the girls into the maze.

The girls manage to find the exit and run into the school just at the end of pre-lights out roll call where Mrs Lake informs them that Ulysses was seen on the mainland at the time Paula was being attacked. “Oh. Drat” say the girls, and sneak back down to the gym to free Ulysses from the bull mask. They pour wine all over him to make him think he’s been drinking and passed out (this never works in real life, trust me). The band arrives to row him back to the mainland.

Mr and Mrs Lake are discussing the attack on Paula. Knowing it wasn’t Ulysses, Mrs Lake says they’ll ask her when she’s slept off the sedatives. Mr Lake goes all weird about this and goes to bed. Mrs Lake wanders out to visit with Jack and is spotted by Elaine, Jane, Betsy and the other one who I don’t know the name of. Jane is crushed, she was sure Jack was going to be her squeezy love bear. She creeps up to the window and spots them in bed together. Weeping, she runs to her bedroom and has a tantrum.

The island, or perhaps the mainland, is having a festival with dancing, music and a bull. Jane is in the gym, dressed in a white tunic and doing that wrist warm up thing. She’s left a note for Jack, who turns up to see what she’s claimed is the “greatest gymnastic feat of all time.” She asks him to put on the mask, so he does because why wouldn’t he? She locks him into it of course, and then locks the door to the gym. He chases her around a bit with festival bits being inter-cut into the scene to make a point of some kind. Jane rings a bell and screams for help, somehow setting it up so he’s choking her when the door bursts open. The entire school chases Jack into the labyrinth, it’s terribly symbolic you know.

Despite wearing a huge bull head, he manages to find the exit. Climbing out of the maze at the edges of the cliffs,  Jane is waiting to push him into the water with a stick. He lands on the rocks with a wet thud. While everyone is mourning Jack, Mr Lake has gone to visit Paula to apologise for attacking her. She’s still asleep so I suppose it’s as good a time as any.

Elaine, Betsy and the other one have decided to confess all to Mrs Lake, but on arrival at the Lake’s rooms they find the carpet doused in kerosene. “Jane burned down her step-father’s house!” says Betsy and I promise you if this has been mentioned previously I completely missed it. Jane’s trying to light a match when the girls find her, closely followed by Mrs Lake. She flees and everyone chases.

Meanwhile, Paula wakes up, sees Mr Lake and screams. The nurse rushes in but due to the convenient shape of the sick room, Mr Lake is able to slip out without being spotted. Mrs Lake is in the common room when he arrives, directing the girls to spread out and find Jane who is “very sick and dangerous.” The policeman takes a call telling him Jane is at the festival grounds with the bull.

Jane is sitting around on the mainland with the bull mask. How she got it back from dead Jack I don’t even know. Wizards did it. She’s found a real live bull and decides she simply must do the bull dance with it. Mr and Mrs Lake arrive just as she’s lining up to jump and Jack turns up because he’s not even dead. He’s got a limp and an arm in a sling, that’s all. Why he’s at the festival grounds just then is a mystery.  Mr Lake leaps forward with a jacket to throw over the bull’s face and is gored to death for his troubles. Someone should have pointed out the bull was tied up to a post in the ground anyway, and therefore only dangerous when rushing at it with a jacket.

The bull did all his own stunts.

The bull did all his own stunts.

“Watch me, Mrs Lake, watch me do the bull dance” says Jane and Mrs Lake doesn’t even say “That’s a bad idea,” she just watches. With the power of some shoddy green screen, Jane manages a perfect leap and somersault on the completely placid bull and the credits roll.

You know, the acting in this was actually pretty good. Apart from some seriously dodgy accents, the performances were overall fairly strong. There’s some biggish names in here apart from Lauren Hutton and Cliff De Young – the actress who played Paula was Samantha Mathis who you’ll know from “Under The Dome” and Renée Estevez was Elaine.

So it gets a point for the cast, and loses several hundred points for just being a massive pile of nonsense. I think the idea of having a gymnastics and Greek studies school in Greece was due to the long history of the Olympics or something, but it still made no sense. Who would send their kid off to such a school? “You know honey, your gymnastics is really coming along but you don’t know a thing about Greek Myths…”

So many “whys.” Why is this a girls only school? Chaps also do gymnastics. Why is the only Greek staff member of a school in Greece a servant? There’s two other teachers featured, one British and Coach Jack who’s American. Why are only American students permitted? Why is the Greek police boat marked “Police” and not “Ελληνική Αστυνομία” (I got that from Wikipedia so I apologise unreservedly if it’s wrong). Why was there a sword? Why was there a labyrinth under the school building?

As for “bull dancing” – well, it is a thing.  The fresco the students were shown is a real one, only obviously it’s not actually at some ridiculous gymnastics school. It’s actually called bull leaping, and I’m sorry to have to tell Jane that she’s not the first person to have done it in 3,000 years because people still do it, mostly in France. Cows are more often used these days because they are less likely to gore you to death. The animal being jumped is supposed to be charging anyway, so even though Jane did manage to leap the bull, she chose one that was not only tied up, but completely immobile. You suck, Jane!

I just don’t know what this movie was supposed to tell me about anything. Too many plots and not enough movie I think is the problem. There’s Crazy Jane competing with Paula’s story and neither story was small enough to be a subplot.  I can understand a bunch of teenage girls obsessing over Greek Myths, but none of the rest of it really works for me. Crazy Jane’s story was fractured in itself, with two strands competing for script space – revenge for the attack on Paula and also obsession with Jack. The death of Mr Lake was presumably in punishment for his attack on Paula, but if you blinked you’d miss his admitting he did it because it was a short line that was worded obscurely. I’m only sure he did it because it’s on the plot summery on the DVD case. There just wasn’t room to deal with everything properly without adding another hour to the movie.

Where did the dratting sword come from?

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bullockgravity

“America’s Sweetheart” is a term that gets bandied about now and again. Meg Ryan had the title for a while, and I’m pretty sure Audrey Hepburn did, too. I think Sandra Bullock even had it for while, but then lost it while moving once or something, but I think she might have it again now? It’s very hard to keep track, honestly.

I think you have to work very hard to dislike Ms. Bullock.  She seems nice and most of her work is in enjoyable things, and those two things are the main criteria for being America’s Sweetheart.  I don’t know what the criteria are for other country’s sweethearts, but that’s what we’ve got going on here, so start padding your résumé.

Here are my favorite Sandra Bullock movies:

10. The Proposal (2009) – I know this one might as well be named “Generic Rom-Com #872,” but it has Betty White in it.  Also, I have a soft spot for this movie because it was the one of the first ones my wife and I saw together.

9. The Heat (2013) – Sandy does comedy pretty well, especially if she gets to play the straight woman.  Few do “uptight” like her, so pairing her with Melissa McCarthy was a pretty good idea.

8. While You Were Sleeping (1995) – I think this is the one that earned her “America’s Sweetheart” the first time around.  I don’t remember too many details about this one, other than Peter Gallagher played the “coma guy” and my favorite thing he ever did was be a lounge singer in The Hudsucker Proxy. This is how my brain works.

7. The Net (1995) – The movie with “that girl” from “the bus,” according to Frank Costanza. Notable for being many people’s first look at what the future of the Internet might be.  “We’ll be able to order pizzas online?!?”

6. The Blind Side (2009) – I don’t know that she should’ve gotten a Best Actress Oscar for this, but I don’t mind her having a Best Actress Oscar, if that makes any sense.

5. Crash (2004) – I know it isn’t cool to like this movie, either, but I don’t really care. Boiled-down, manipulative diatribes on topics can still help start discussions.

4. The Lake House (2006) – I couldn’t say exactly what it is I like about this one so much. A TARDIS mailbox next to a house with a tree growing through it? Okay, sure.  I think I like that little bit of scifi that makes it possible for these two to get together – it’s a bit like the traffic sign in L.A. Story, but not as witty.

3. Speed (1994) – I’ve never seen the sequel, but I’ve heard enough about it to know that I don’t need to. At the same time, I can completely understand why they’d want to make a sequel to this movie.

2. Gravity (2013) – I absolutely loved this movie. Beautiful and terrifying, it reinforces my decision to never be an astronaut (even though that’s not even really up to me anymore).

1. Demolition Man (1993) – You’d be surprised, I think, how often I want to end conversations with “Be well, Lenina Huxley!”

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Weird Al Week

No, no, we’re not doing two weeks of Weird Al Week, I just needed to finish off last week with one more entry because of the concert on Friday.

I went with four friends, none of whom had been to a Weird Al concert before.  We we sitting in row TT, which in that theater is 20 rows back (the single letter rows start after the double letter rows, which I think is weird, but okay). Great seats, and near the aisle, so when he came down into the audience for Wanna B UR Lovr, we had a great view of him grinding up on someone.  That… is a sentence I never expected to write.

Before the concert, I bought a hoodie and almost bought a book and some trading cards.  One of my fellow attendees bought an Amish Paradise T-shirt, and I don’t know if the other three bought anything.  I meant to have a picture of the hoodie for you, but have failed in that regard and I apologize.

Here is the complete setlist that Al and his band did (asterisks indicate a costume change for that song):

  • Polkaface

    Weird Al Bird

    This is the outfit he wore during Perform This Way, which caused me to laugh so hard I was afraid I wouldn’t be able to breathe

  • TMZ
  • You Make Me
  • Smells Like Nirvana*
  • Skipper Dan*
  • Party in the C.I.A.*
  • CNR
  • Canadian Idiot
  • Wanna B UR Lovr*
  • Beverly Hillbillies
  •  Whatever You Like
  • Another Tattoo
  • eBay
  • I Wanna New Duck
  • Theme from Rocky XIII
  • Spam
  • My Bologna
  • Ode to a Superhero
  • Lasagna
  • Eat It
  • Amish Paradise*
  • Craigslist*
  • Perform This Way*
  • White & Nerdy*
  • Fat*
  • The Saga Begins*
  • Yoda (and chant)

After the show, we went out back to stand in line by the bus on the off chance Al would sign some autographs. I brought my copy of UHF along just in case.

I had given him my wallet as a support for signing my ticket, and he started looking through it.

I had given him my wallet as a support for signing my ticket, and he started looking through it.

After a little while, Rubén came down the line and was talking to people, and I was able to get him to sign my ticket, so that was pretty cool. He asked a bunch of us what our favorite parts were and what we didn’t like as much. He was very friendly!

Sadly, we only briefly saw Al as he exited the building and waved on his way to the bus.

That’s my third time seeing Weird Al in concert, and I hope it won’t be my last. His concerts are high energy and lots of fun, and I highly recommend you go see one.  You can watch the concert DVD to give you an idea, but it isn’t quite the same.

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Weird Al Week

 

While I was doing my track rankings of Weird Al’s albums, I would frequently say “This is another food song” or “Another TV song here.” It got me wondering about how many of each of these things there were, so I decided to go through his 13 released studio albums (this includes “UHF” which is considered a soundtrack, but not “Peter and the Wolf”) and count up some things. This chart does not include any “digital only” tracks.

For the purposes of this chart, here are some notes on the types:

  • Parody – A direct parody of a song. “Beat It” becomes “Eat It” and has the same “sound” as the original. You can (and often will!) sing the parody lyrics along with the original and it will work perfectly
  • Original – A completely new song. This also includes “style parodies,” as they can’t be sung to a specific song even if they sound like songs from a particular group.
  • Polka – Any of his polka medleys, but also includes “Bohemian Polka.”
  • TV – Any song that is about a TV show, TV shows, or is a theme song to a TV show
  • Food – Any song that is primarily about food. The asterisk included in this column is for the song “Fat,” as it isn’t just about food, but food is featured prominently and is assumed to be the reason the singer is Fat.
  • Movie – Any song that puts the plot of a movie into song form, or condenses major plot points into song form.
  • Total Songs – Does not include the skits from UHF, nor does it include the 6-second “Bite Me” album ender from Polka Party!.

 

Parody Original Polka TV Food Movie Total Songs
Alpocalypse 5 6 1 12
Straight Outta Lynwood 5 6 1 12
Poodle Hat 5 6 1 1 1 12
Running with Scissors 5 6 1 1 1 1 12
Bad Hair Day 5 6 1 1 1 12
Alapalooza 4 7 1 3 2 1 12
Off the Deep End 5 5 1 1 2 11
Even Worse 5 6 2* 11
UHF 4 6 1 3 1 10
Polka Party! 4 5 1 1 1 10
Dare to Be Stupid 4 5 1 2 1 1 11
“Weird Al” Yankovic in 3-D 5 5 1 2 2 1 11
“Weird Al” Yankovic 5 7 1 2 12
TOTALS: 61 76 11 16 14* 6 148

 

Most interesting statistic to me: despite being known as “that parody guy,” Weird Al’s originals outnumber his direct parodies. Though when you add in the style parodies, I guess it turns out a bit differently. But even on his very first album, he had more originals than direct parodies.

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Weird Al Week

 

I intended for today’s article to be a discussion of UHF, a breakdown of its strengths, its best lines, its staying power, and its willingness to speak to that within each of us which strives to carry on in the face of difficulty and terror. It was going to be epic in scope, heartfelt, and (probably) way too long.

But that was before I got a high five from Weird Al.

As predicted, last night my wife and I went to see UHF in one of the local theaters. All I knew going in was that Al was going to be there, but I didn’t know if that meant he was going to stop in and say hi, or give us a live commentary while the movie played, or what.  Turns out the plan was for him to do a Q & A after the movie, and, really, that’s what I should have been expecting, but I don’t know too much about things.

The movie was scheduled for 7p, and we got there around 6:10. I knew we’d want to get there early because the seating was on a first-come basis, but I hadn’t anticipated a 6:30p seating time. When we got there the line was already circled around the lobby once.

This might sound strange to you, but I had been thinking about where to sit for most of the day.  I figured if we got there early we’d have good choices, but do you sit where you can see well, or sit where you’re closer to the stage (and therefore closer to Al), or what? I made the gametime decision to sit on the aisle 11 rows back, a mixture of closeness and viewful.

While we were waiting for things to get going, I noticed that one of the ladies getting things set up was someone I knew from a few years back through improv. I hadn’t seen her in a few years, but we’re friends on Facebook so we’re sorta still aware of each other’s lives. I had forgotten she worked with Purdue University, helping touring acts get what they need and arranging things and whatnot. It made perfect sense when I saw her, but I had totally forgotten that’s what she did. Number one reason that is inexcusable: she is solely responsible for getting me John de Lancie‘s autograph a few years ago when he was in town for a dramatic presentation. When she walked back up the aisle, I flagged her down to say hi. We caught up a little and I asked her, “So, is there any chance you could give something to Al for me?”

At this point I should tell you what I brought to the screening. Since I didn’t know what exactly would happen, I brought my DVD of UHF and a Sharpie in case he’d be signing autographs. I also brought a thank you note.  See, I figured if he did do any signings, he wouldn’t have much time to chat, and I also figured I’d freeze up and wouldn’t be able to say anything. Please remember: Weird Al is in my Top Five of Celebrities I’d Want to Meet, so this is a Big Deal for me. So I figured the best thing to do would be to write a thank you note, not too long, not too ridiculous, just a way to say thanks for all the laughter and enjoyment he’s given me for 27 years now (sharp-eyed fans will take note of that “27”). So I had it with me just in case. She said she’d be more than happy to pass it along. I might never know if he got it or read it, but there it is.

So then the movie starts, and it’s great. I mean, the movie is great when you watch it on your own, but watching it with a bunch of people who love it like you do is a different experience entirely. We quoted some of the favorite lines together, we laughed, we exulted. It was a blast. Even my wife, an admitted not-much-of-a-fan, who had never seen the movie before, enjoyed it.

But the best part was next.

The interviewer was a fellow from The Film Yap, and he gave an introduction and then said, “And here he is!” I stood up and turned around (noticing that very few others did so, which I thought was strange), and here was Weird Al bounding towards the stage down the very aisle I was on. Instinct kicked in and put my right hand up, and, man, you know Al is the sort of fellow who won’t leave you hanging. BAM, fived! Like, a good solid five, too. My hand was sort of stinging a little. I wish I had a picture of the next moment, because I doubt my eyes have ever been wider. I turned back to my wife and loudly proclaimed, “I’m never washing this hand again!” because that is the sort of thing you say when you get high-fived by Weird Al.

The interviewer asked Al a bunch of questions, and then started taking questions from the audience. I’d been thinking about this a long time, too. I mean, what do you ask Weird Al?  I simultaneously thought of a million questions and no questions at the same time. Sure, there’s tons of stuff you want to know, but, really, what do you ask in that moment?

I kept not getting picked, and had pretty much resigned myself to “it’s not going to happen” when the interviewer pointed in my direction and said, “There, well, there’s two guys, so we’ll take one and then the other.” Gulp. First guy asked his question, and then it was my turn. Listen, you won’t think it’s great, but this is what I decided on:

“I have a two-part question. I know that you’re not really in charge of these things, but I wondered if you knew anything about a Blu-Ray release for UHF, and are there any plans to have a modern release for The Compleat Al?”

This was, of course, after I worked up the ability to talk.  I’m eleven rows away and Al is looking right at me, after all. The thing about the first question is that this is something everyone wants to know. The thing about the second question is that, yes, I wanted to know, but also this is my secret message to Al that I have been a fan for A Long Time. The Compleat Al is a little-known mockumentary that I had seen several times many years ago but then no longer had access to (…until the Internet of course).

His responses were, yes, he didn’t have much to do with a Blu-Ray release of UHF, but that they had looked into it. The response from the studio was “Eh, no one’s buying Blu-Rays anymore” and “It costs, like, $10,000 to produce those things.” Al’s manager said, “Well, how about we give you the $10,000 and we see how they sell? You give us back the first $10,000 it makes and we’ll be square.” “Eh,” they replied, “That paperwork is too complicated, we’d never be able to do it.” So he suggested if we wanted it, that we needed to write the studio a bunch of letters.  Coming soon on zwolanerd: an organized letter-writing campaign to get UHF released on Blu-Ray.

His answer to the second question also had a “there’s not much I can do about it,” but he said “wow, that’s going back a long time” with (I feel) a certain glimmer of respect that someone would remember it (but I may be projecting, I admit), and then “but if they every decided to do something with it, I’d be happy to support it.”

There were only a couple more questions after mine, and then Al had to leave. As he ran back up the aisle, most people put their hands out for a high five this time. They learned it from watching me, okay?  They learned it from watching me. Sure enough, this time Al high-fived my left hand.

So now both of my hands are in a museum. I typed this all with my nose, but it was totally worth it.

 

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