May 15, 2013 The Seinfeld Finale
Yesterday marked the fifteenth anniversary of the Seinfeld finale airing. Today marks the fifteenth anniversary of when people started really griping about the Seinfeld finale. I mean, they started right after it aired, but they really didn’t get into full swing griping until the next day, you know, around the water cooler at work. We had the Internet back then, but people hadn’t quite figured out how to squeeze every last drop of griping out of just yet, so the griping happened more slowly – a griping Thanksgiving dinner, if you will, as opposed to a griping microwaved Hot Pocket.
I had some people over to watch the finale with me, I don’t remember how many. A friend in another state called me two minutes after it was over to ask what I thought. I don’t remember my exact words, but it was along the lines of “It wasn’t what I expected, but I liked it.”
See, the other thing we didn’t have back in the early days of the Internet was a well-cultivated Spoiler Garden. Sure, there were seeds being planted here and there, but it was more random so you didn’t know where things would grow and you didn’t know if you could eat the stuff that grew anyway. Nowadays you can go to the row marked “Game of Thrones” and pick out exactly the spoiler you want, however ripe or un, but back then you’d hear rumors and speculation and wouldn’t have any idea how much you could trust it. There’d been a lot of “Elaine and Jerry get married!” and stuff like that thrown around, but nobody knew anything. In fact, the finale threw in a bunch of fake-outs to exactly that sort of thing – Jerry and George almost hug, Elaine and Jerry almost confess they love each other, that kind of thing. For fans who knew that people were expecting it but Jerry et al. didn’t want it, it was perfect.
As with most things, I didn’t really understand why I wasn’t supposed to like the finale until I read why other people didn’t. My default is to like things I like (just like Abed!), and that usually serves me pretty well. I understood why people didn’t like it, I just didn’t agree. The biggest misstep in my opinion was having the clip show right before the finale…which was kind of an elaborate clip show. Viewed separately, they both work pretty well. Viewed together, they are kind of one big clip show blob.
I’m not really sure what else people wanted from the finale. Something big and elaborate and people changing and moving away? That was so not the point of the show that famously had no point. Being put on trial for doing exactly the things we had been seeing them do for nine seasons was, really, a fantastic way to go about it. Locking them up for being self-centered jerks is about the best reason to lock them up. Maybe you didn’t care for the execution of the idea, but the idea itself is gold, Jerry. Gold!
I haven’t missed Seinfeld because I haven’t needed to – it’s usually on somewhere, and I’ve got the DVDs if I need them. On Twitter, Modern Seinfeld and Seinfeld Stories give me an idea of what could be happening with the gang, and I enjoy the thoughts. I’ve lost track of how many times I’ve seen each episode, but I doubt I’ll ever tire of them. Even now, fifteen years on, I still average about one Seinfeldian quote or reference a day. It’s not really that I’m trying to make that happen, it’s just that it’s so ingrained and the show covered so much ground that it happens organically. Fellow fans enjoy the references and non-fans don’t know, so it all works out okay for me.
Maybe I should go throw $20 out the window?
Tags: Seinfeld
May 14, 2013 Tuesday 10: Leonardo DiCaprio
There’s a weird mix of thought processes that goes into these lists, a bit of “roles I remember the most about” stirred with “most enjoyable film as a whole” and a few other things tossed in. That is to say: there’s no specific formula I plug these things into, it’s more of a feelings-based deal. That’s why that whole kerfuffle with the repeated-but-not-exactly Stallone list happened the way it did. That’s why I tend to have explanatory stuff after ever entry on the lists, so you can see how it got there.
It gets even more murky when something that happened recently inspires the topic for the current list, even if the subject isn’t necessarily one near and dear to my heart, which is where we are today. I think Leonardo DiCaprio is a fantastic actor. He’s done a lot of great stuff and I think he’ll only get better. That said, I have never once said, “Oh, hey, Leo’s in a new movie, I gotta go see that!” This list was inspired by my seeing Gatsby and Django this past weekend, one I saw because I thought my wife would like it and one because she was gone for several hours.
10. The Aviator (2004) – Biopics can be a tricky thing, but I this one was interesting to me. Weirdly enough, it’s Cate Blanchett as Katharine Hepburn that really sticks out in my memory here, but that’s most likely leftover Galadriel Effect.
9. The Departed (2006) – I wasn’t as gaga over this movie as everyone else seemed to be at the time, and I think it’s because I saw the original before I saw this one. I mean, this one’s fine and everything, but Little Miss Sunshine was my favorite of the nominees for Best Picture that year. I know I’m supposed to be all “Scorsese! WooOOO!” so I’m sorry if that hurts your feelings.
8. Titanic (1997) – This is the one that really put him on the map, right after all the other ones that did the same thing. I like this movie in spite of the romance storyline, for the same reason I found The Aviator interesting: the window it gives on historical events.
7. Gangs of New York (2002) – There are three things I remember about this movie: the violence, the ending shot, and Daniel Day-Lewis’s mustache.
6. Romeo + Juliet (1996) – I’ve been wanting to see this one again because it’s been so long since I have. I thought the modernization suited the story well when I saw it, but I’d be interested to see if I still thought so on rewatch.
5. Django Unchained (2012) – I still can’t formulate an opinion on this movie days after the fact. I mean, I liked it, but… I don’t know. I enjoy Tarantino films for some reason, but I can’t figure out where on the list this one goes – that’s the “Tarantino List,” not the DiCaprio list, since I’ve very clearly decided on its place on this list. Better than Death Proof, at least. Leo and Cristoph Waltz are the highlights of this movie, to be sure.
4. The Great Gatsby (2013) – I really, really like this movie, but I’m willing to admit it’s because I don’t remember the book at all. I read it, of course, and I think even more than once, but it’s been a long time. So a lot of the major gripes people seem to have with this one are things that didn’t bother me. I thought Leo’s accent was odd, but by the end it was fine.
3. Inception (2010) – With apologies to the theme from Rawhide, this movie is great because “Nolan, Nolan, Nolan, keep them movies rollin’…” and that’s as far as I’m willing to take that song. I don’t get why people thought it was hard to follow, because Nolan did a great job of laying it all out very simply. Sure, I’ll give you that the ending is tricky, but there are some great theories on it which make the movie even more interesting, I think.
2. The Quick and the Dead (1995) – This Sam Raimi movie is one of my favorite Westerns, a list that isn’t really that long. Leo as a kid trying to prove himself alongside of Hackman, Crowe, and Stone is some great stuff.
1. What’s Eating Gilbert Grape (1993) – This movie is the first I ever heard of Leo, and I thought his portrayal of a mentally handicapped boy was phenomenal. Any time I see Leo’s name pop up in relation to a movie, the impressiveness of his role in this film still generates positive feelings in me about his work.
Tags: Tuesday10
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May 13, 2013 LWST: Better Off Ted Season One Wrap-Up
Season one is over and done, thirteen great episodes with very few weak spots. This is one of the best first seasons of a show that I’ve ever seen (compare it to Seinfeld, which was fine in its first two seasons, but didn’t hit its stride until season three). This is my fifth watch-through of this show and I still can’t figure out why it didn’t get more attention. I don’t pretend to understand the ins and outs of network programming and marketing, but I can’t help but think somebody messed up on this one, big time. People like workplace comedies, people like wackiness, people like love subplots, (I presume) people like crazy inventions, and people like laughing – so what’s the deal? Maybe people still don’t like sitcoms without a laugh track. We’re in the 21st century here, people! Try to catch up! Honestly, this is the next show I wish Netflix would revive, now that they’ve done Arrested Development. Yes, yes, Firefly and all that, but I’d vote for Better Off Ted first.
I think I got off in my counting a little bit, but here are a couple of first season numbers for you:
- Twelve of the thirteen episodes had Veridian commercials
- There were 47 inventions/ideas mentioned or seen
- There were 42 coworkers seen or mentioned (actually, some crowd scenes would raise the “seen” number quite a bit, but we’re sticking with coworkers that were more (or slightly more) than set pieces
- Bhamba is the coworker seen most, appearing in five of the thirteen episodes (again, I think my counting on some of the other coworkers might be off, but the Bhamba numbers seem solid)
- Rick is second most, at three.
- Number of episodes where Veronica is awesome: 13
These entries on the show are some of the least-read on the site, but I’m going to go ahead and start season two next week for two reasons:
- Those who are watching and reading along are as big of fans of the show as I am and have a lot of great insight to it.
- I really enjoy seeing the show this way. I’d kind of like to do it for all of my favorite shows, but there are hundreds of episodes of some of those and I can’t even imagine trying to keep the spreadsheets on those.
I keep hoping these articles will get someone new interested in the show. The second season hasn’t been released on DVD yet, and I don’t know how to make that happen. A bigger fanbase seems the only option, though the farther out we get from when the show aired, the less likely it seems that it will happen.
Thanks for joining me through season one! Come on back for season two starting next week!
Tags: Better Off Ted, LWST
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May 10, 2013 Somebody Save Me
In real life, I’m a computer tech, and I’m constantly reminding users to save stuff to their network drive rather than to the local computer. The blank (or outraged) stares I get when I try to explain that we don’t back up the local hard drives are some of my least favorite looks. And, of course, I’m guilty of the same thing – I don’t always back my stuff up, either. The difference is, when I lose things, I know it’s my own stupid fault and don’t blame someone else.
Which is why it’s frustrating when there’s nothing I can do about it. Right now I’m playing three major games on an iPad, and they represent three different ways of saving info:
- Ghostbusters: saves to the local device, doesn’t need Internet connection to be played
- The Sims Freeplay: saves to the local device, but lets you create a save to the cloud that will last a week, useful if you’re changing devices, but will not work cross-platform from iOS to Android or back. Game needs to have Internet connectivity to be played.
- The Simpsons Tapped Out: saves to the cloud all the time, needs Internet, can be played on different devices whenever because the info is saved to the cloud
Now, each of these has their strengths, but I’d argue there’s room for a fourth option: doesn’t need Internet to play, but saves could be done to the cloud. For as frustrating as it is when the servers aren’t working, the Tapped Out method seems to be the best second option (meaning it’s the best option since the option I want isn’t an option), since I can just log in on a different device and pick up where I left off.
Here’s why I’m voting for that last option: two things happened in my Ghostbusters game in the last couple of days. One, I finally saved up enough reactor cores to buy a premium character, but I was holding off so I could research which one I wanted to get. Two, there was an update released for the game, which had the unfortunate side effect of making my copy not work anymore. So now, because I don’t have a save anywhere but on the local machine, I’m worried that I’m going to lose all those cores, the over $4 million I had saved up, and all of my leveling up progress. I’m trying not to freak out (because, hey, it’s just a game, right?), but I am sweating it a little.
I have an email in to tech support, and I’m hoping they’ll respond to me soon with a fix that saves all of my stuff. Honestly if it’s all lost, I don’t know if I’ll start the game over. Too much time put in with nothing to show for it, you know? And that’s got me thinking about other stuff, like my Mass Effect saves on my Xbox. If Zwordling Shepard were to disappear, I’d be heartbroken, and I’m not using that word facetiously.
But that’s the beauty of the digital age, right? Information is convenient but ephemeral. I buy physical CDs of music when buying digital would be so much more convenient because I figure if I lose all my hard drives, I can probably still find a CD player that will play my music.
Tags: Ghostbusters, Sims, Tapped Out
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May 10, 2013 Wonderfalls S01E07: Barrel Bear
SUMMARY
Jaye and Alec the Mouthbreather are discussing her lack of ambition at Wonderfalls and in general, and she mentions this later to her friends at The Barrel. Mahandra notices a woman looking at a photo and recognizes her as Millie Marcus, the first woman to go over Niagara Falls in a barrel (and live!). The Mounted Bass tells Jaye to “give it back to her,” and so she sets up a signing at Wonderfalls that fails dismally.
Sharon reluctantly agrees to let her speak at an event she’s part of, but during set up, another woman barges in claiming that Millie is a fraud and that she, Vivian Caldwell, was the actual person that went over the falls. Jaye is upset that they have all been lied to and tries to help Vivian say so. Mahandra wants to preserve the current story about Millie, and steals the original barrel from Vivian’s property.
Millie realizes that she would never have the courage to go over the falls and apologizes to Vivian, by asking her to come with her on her new press tour. Before Vivian can respond, Millie keels over dead. To make things right, Jaye decides to pass off Millie’s body as Vivian, and Vivian becomes Millie on the tour. Jaye puts Real Millie’s ashes in a plastic barrel and tosses her over the falls.
Both Jaye and Eric participate in the theme of this episode, which is essentially about getting “unstuck” from life choices. Jaye realizes that she could easily end up like Vivian, stuck in a town that she hates for the rest of her life. It’s telling how she calls Vivian lazy for trying to get out of working hard by plunging down the falls in a barrel, especially with the way that she “trained” Bianca in Karma Chameleon. She knows that she is unmotivated and lazy, and from that she can spot it easily in other people. She is affronted by the idea that Vivian’s present is her future, however. There’s a lot of self expectation that Jaye will someday find a career path that will take her other places besides Wonderfalls.
Eric, meanwhile, is still dealing with the fallout from Heidi’s infidelity. He is trying to distance himself from “that other Eric”, so he has Mahandra screening his voicemails and pretends that his old life belongs to a different person. I felt that we already dealt with this in Wind Up Penguin, when he discusses forgiveness with Father Scofield. It’s not so much that it should only take one episode to get over such a traumatic event, rather that it seems disjointed with previous episodes.
One of the scenes that I enjoyed the most in this episode was where Millie, Mahandra, and Eric talk about Millie’s deception over a bottle of Merlot. Eric can’t believe that they are trying to justify the fact that Millie lied to everyone about the barrel and doesn’t have any shame or guilt about it. He says:
“It is sort of the quintessential American tale. […] Look at her. She’s 100% fabrication. She decided what she wanted to be and damn the facts. Don’t get much more American than that.”
While this statement makes quite the commentary on American stereotypes and expectations, Eric does seem impressed by this idea. Isn’t this what he is trying to accomplish by relegating his past life to “that other Eric”?
We also get a lot more insight into Mahandra, as more than just Jaye’s token black friend. She feels shut out from Jaye’s life since they used to share everything and now Jaye is holding back. Her competitive spirit also comes out when she wants to beat Jaye at whatever she’s “planning”. We also get a sense that Niagara is her home and she is proud of it, and wants to revel in its history. She could not be more different than Jaye!
For muses, we have Barrel Bear and the Mounted Bass, although the Wax Lion makes a non-speaking cameo. We’ve returned to the more vague instructions here, with the “give it back to her” line getting the most play. Jaye also makes an issue out of the vague pronouns and calls the Barrel Bear a “murderer”.
TRIVIA & REFERENCES
- A woman actually did go over Niagara Falls in a barrel. Her name was Annie Taylor and she plunged in 1901. She was 63 at the time.
- Mahandra calls Jaye a Hobbit that hates The Shire, which is a reference to the fantasy book series by Tolkien, The Lord of the Rings. She’s basically saying that Jaye hates where she comes from.
- Mahandra also mentions Hansel and Gretel, saying that the story scared Jaye so much that she can’t stand old ladies.
- The Republican organization that Sharon belongs to, CLAW (Concerned Ladies of the American West – east coast branch), is likely a parody of the Concerned Women for America organization and other such groups.
- The fake barrel that CLAW intends to use for Millie’s talk is borrowed from the Niagara History Museum, which really exists. It’s located in Ontario, Canada.
Tags: LWST, Wonderfalls
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