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zwolanerd

I guess I just like liking things

I was part of the $70 million that Star Trek Into Darkness made over this past weekend. My 2¢ review is that I liked it, but I’m not so sure I feel these new movies are actual Star Trek. I mean, I know that that’s the point and everything, but it’s like I ordered a Culver’s burger because I love them and somebody swapped it out for a Five Guys burger. I still really like Five Guys burgers, but I wanted a Culver’s burger, dang it.

I like to imagine the words to the theme song are "Star Trek, ooh ooh ooh ooh."

I like to imagine the words to the theme song are “Star Trek, ooh ooh ooh ooh.”

So I’m not including nuTrek in this list, which works out nicely because that leaves ten Trek movies, the perfect size for a Tuesday 10.

10. Star Trek V: The Final Frontier (1989) – I have a friend who loves this movie and I still like him even though he’s as wrong as a person ever was. Yes, I know that pronouncing judgment on a person’s personal tastes is exactly what we don’t do here at zwolanerd, but that’s just how wrong he is.  I mean, he quotes this movie, people.  Come on!

9. Star Trek Generations (1994) – From here on up I like all these movies, so it’s just a matter of “I like other ones better.” I liked having Kirk, Scotty, and Chekov show up, and I liked Kirk and Picard meeting, and I even liked the callback to Kirk’s line from STV where he knew he wouldn’t die if Spock and McCoy were with him.  So, yes, this movie makes one thing about V okay.

8. Star Trek: The Motion Picture (1979) – I was in awe when I first saw this movie. Yes, it’s most people’s least favorite, but seeing the crew again (even in those ridiculous uniforms!) and the Enterprise was everything my little Trekkie heart desired. Fun story: I had gotten in trouble at school the day I Mom and Dad let me watch this movie on TV and I waited until after the movie was done to tell them, because I didn’t want them to tell me I couldn’t watch it. Also: the movie is three hours long on TV.

7. Star Trek Nemesis (2002) – This is the movie that introduced me to Thomas Hardy, so even Bane in The Dark Knight Rises is still “Picard, Jr.” to me. My least favorite part of this movie is the Data reboot, but I understand why they did it. I wish the TNG crew had made a couple more movies after this one :(

6. Star Trek: First Contact (1996) – This is the best one of the TNG movies by pretty much all accounts, and I can even agree with that, but it’s still not my favorite of them.

5. Star Trek: Insurrection (1998) – This is the choice that makes other Trekkies foam at the mouth. “It’s silly!” and “It’s like a long episode!” are the two biggest complaints about it, and I won’t argue with those things because those are reasons I like it.  There’s a warmth, humor, and heart to it that I respond to. Plus, Will and Deanna are supposed to be together, and it happening in this movie was long overdue. Furthermore, Captain Picard’s relationship with Anij is my favorite of his.

4. Star Trek III: The Search for Spock (1984) – The first videotape I ever bought, and the first Star Trek movie I ever saw, which is why you’ll find this one higher on my list than anyone else’s ever. Spock is my favorite Trek character ever, and any glimpse into Vulcan life and culture is (for the lack of a better word) fascinating to me.

3. Star Trek VI: The Undiscovered Country (1991) – You’ll appreciate this movie more if the majority of your life was spent in the Cold War. Also, if you like Shakespeare, knowing that someone took the time to translate Hamlet into Klingon should warm the cockles of your tIq.

2. Star Trek IV: The Voyage Home (1986) – People who don’t like this movie don’t like joy.

1. Star Trek II: The Wrath of Khan (1982) – Still the best one. My wife and I are in the middle of this one (we sometimes have to watch movies over the course of a few days) because she’s never seen it, and it’s been a couple of years for me, too. Such a great idea to go back to an episode and pull out this great villain and use him this way, and Ricardo Montalban was just so fantastic in the role.

Once the new series gets to ten entries, I’ll see about doing a list of those.

 

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Okay, I’ll be honest: I don’t have much to say about this episode. I mean, I like that it picks right up where last season left off with Ted deciding to be a “guy who goes on dates,” but that whole Utah Indian language thing is my least favorite plot point in the whole run of the show.  I am not a fan (read: “I dislike vehemently”) any kinds of stories where some simple communication would fix a misunderstanding (things like “The Importance of Being Earnest,” for example). On top of that, the ridiculous words that Ted comes up with are… ugh, so frustrating.  This whole thing just rubs me the wrong way.  Furthermore, Linda’s outrightly mean use of the language to torpedo Ted (who, it should be noted, deserves to be torpedoed here, but could have been in a nice way) is just so mean. I get that Linda likes Ted and doesn’t like to see him dating someone else, and I also get that she’s on edge because the guy she went out with likes to dress up like a bear, but still.  The worst part is that Danielle seems like a nice person, someone Ted would really get along well with, and I know they can’t keep her around and the reason she doesn’t stay is completely realistic, it’s just frustrating.

Bah.

The other storylines are fine, but the main one leaves such a bad taste in my mouth that it flavors everything else.  Don’t get me wrong, I still like the majority of the episode, but if I were somehow able to order all 26 episodes (I wouldn’t be), this one would be at the bottom, which still makes it better than any episode of  [INSERT TERRIBLE SHOW HERE] I’ve ever seen.

I feel like I’m letting you down with this episode, but I really didn’t have much other insight, I’m afraid.  Let me know in the comments the stuff that struck you.  I will say that Veronica’s delivery of the “Lem, you remember the NASA guys?” line is absolutely one of my favorite timing/delivery bits on the show ever.

Bits and pieces:

  • “Remember ‘Whee, Pension rollbacks?'” – Ted
  • “Well, technically Mr. Cynical can’t be happy, it is his power and his curse.” – Ted
  • I don’t completely understand what makes two people “genetically compatible,” but I do like that Veronica’s assessment of Lem boils down to “smart mom, hot dad.” She fails to mention that Lem’s mom is also hot (we find this out later this season when we meet her).
  • Lem’s dad was the first male supermodel
  • Ted’s favorite movie is Caddyshack
  • “That’s why it wasn’t called Romeo & Juliet & Lem & Phil.” – Ted
  • “I will rescue a young, beautiful lady from a Tedless existence.” – Ted
  • “Twice a week after work, I put on a totally realistic bear costume and hang out in the park.” – Greg
  • The Myman Family Tree looks like Wikipedia
  • “Sorry, Ted, I’m actively disappointing you.” – Phil
  • Phil crying in the elevator, Veronica unfazed by it – “Shh, I love this song.”
  • I suggest that “The Prolific Mymans” would be a good name for your garage band
  • “Drugs: they take the edge off.” – Sign on the wall in the medical clinic
  • “Run, I’m all bluff” – Veronica
  • “Who would have guessed it would be a bad idea to let a giant corporation’s financial agenda dictate who we date?” – Linda

Commercial:

No commercial this week!  Boo!

Ideas/Inventions mentioned in this episode:

  • Nutrition pellets
  • Super fast-growing moss for astronauts

Coworkers named/seen:

  • Danielle, Ted’s “match”
  • Greg, Linda’s “match”
  • The receptionist at the medical clinic, unnamed but has lines

Next week: S02E02 – The Lawyer, the Lemur and the Little Listener

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No, this post isn’t filled with spoilers, it’s just about spoilers.

See, apparently I’ve spoiled a couple of things for people via Twitter this week and they got grumpy.  I didn’t really consider the things spoilers, so there were words and then I had to ask forgiveness. So I thought it would be good to review the Official Spoiler Rules so I didn’t mess up anymore. Here’s a video College Humor put together on the subject:

 

As stated in the video:

1. Spoilers cease being spoilers

  • two weeks after a standard episode
  • two months after a season finale
  • one year after a series finale

2. When recommending a TV program

  • general enthusiasm is permitted
  • spoiler enthusiasm is not

3. Spoilers spoken in pig latin, gibberish, or French will still be considered spoilers, but Mandarin is okay

4. In a group

  • if the up-to-date viewers are in the majority, they may ask the behind viewers to leave
  • if the groups are equal, they must Roshambo for dominance
  • if the two first rounds end in a tie, the groups must engage in a last-man-standing knife fight (I would mark this rule “OPTIONAL”)

5. During the 24 hours after a show airs, both up-to-date and behind viewers agree to be especially vigilant regarding spoilers

6. Any phrase starting with “Okay so this isn’t really a spoiler, but…” is automatically deemed a spoiler and the person uttering the phrase is not allowed to speak for 45 minutes

7. Viewers shall seek out information online at their own risk, and a “spoiler alert” is considerate, but should by no means be expected

8. If an up-to-date viewer spoils something for you, you may spoil something for them, but revenge spoilers shall be limited to the medium of the original spoiler

I’m not sure how much Twitter (my apparent method of spoiling) is covered under Rule 7 there, but it’s more of a conversation so it probably isn’t.

In the future I will do my best to abide by these rules, but I feel I should point you to this study, which says that spoilers can actually enhance our enjoyment of the story.

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SUMMARY

While watching Eric install a satellite dish, Jaye tells Mahandra that while she’s attracted to Eric, but she feels like now is not a good time for her life to get complicated with a relationship. The next day at work, both the Barrel Bear and the Lovesick Ass tell her that a “girl needs a boy”. Jaye finds Eric giving donuts to a woman at the fountain outside, and she says that she is from Russia and came here to meet a man but he didn’t show up.

Eric and Jaye help Katya find out what happened to her fiance. They show up at his house, where they discover Peter is a 12 year old boy. Katya is furious and when Peter shows up at Jaye’s trailer later, she throws assorted objects at him. Eric and Jaye try to talk some sense into him, but this only results in Peter developing a crush on Jaye. He thinks that Jaye and Eric are in a relationship, so he gives himself a black eye and blames it on Eric to garner Jaye’s sympathy.

Jaye drags Peter to his father to explain the situation, but Peter storms off angrily to steal Jaye’s car and kidnap Eric. Jaye shows up at the cabin that Peter has taken Eric to and after a heart-to-heart where Eric asks Jaye out on a date, they kiss. Peter comes out of the cabin and admits that the better man got the girl, and says that he’ll probably be ok, while Eric’s car bursts into flames in the background, presumably caused by Peter.

This episode is where things start moving along in the Eric and Jaye romance. There is a lot of back and forth dialogue about the status of their relationship to get there, and it spells out why nothing has happened yet even though these two characters clearly like each other and have basically said so in some very direct ways many times. Jaye doesn’t know if she likes the idea of being in a relationship that can be “potentially messy”. She also seems to pinpoint the muses’ interference in her life as a reason why she shouldn’t be dating anyone, but I get the impression that Jaye probably wasn’t clamoring to share her life with someone before this started happening. Eric also admits that he’s still wounded by the fallout from his marriage, and that while he is on the road to recovery it will take some time for the damage to be undone.

This episode does follow our traditional Client formula, but I appreciate how subtle it is in comparison to previous episodes. We don’t have a character saying “wow, this is exactly what I’m going through!” Jaye’s concerns about love being messy and complicated are interwoven through all of our subplots, as both Katya’s desire for romance and Peter’s need to feel secure are facets of love and how important it is in our lives even though it also can bring heartache.

"I'm smarter than you, and I can't solve the riddle that is Jaye."

“I’m smarter than you, and I can’t solve the riddle that is Jaye.”

We see the Wax Lion and the Brass Monkey at the beginning of the episode, in a comedic scene where Mahandra pushes them together and they are both unimpressed by the physical proximity. But the directives come from the Barrel Bear and the Lovesick Ass, the latter of whom is a new muse. They both tell Jaye that a “girl needs a boy”, although the donkey quickly amends his to “girl needs a donut” after Jaye threatens him. After the plot gets going, we don’t really see the muses again. They are mysteriously missing while Katya is in Jaye’s trailer.

TRIVIA & REFERENCES

  • Eric was given a tan in post-production, although he had gotten a spray-on before filming.
  • Mahandra’s line about Eric being “ready for your jelly” was almost censored by the network (although it never aired). However, naming Peter’s father Dick Johnson was apparently a non-issue.
  • This was the fourth episode filmed.
  • The scene with Eric fainting in the chapel was originally in the opening credits sequence, but they had to change it because Eric didn’t appear “manly” enough.
  • Magdalena Alexander (Katya) had to eat in many of her scenes, so she had a spit bucket handy for the donuts and chicken wings. The actress is from Toronto, and while Polish, did not actually have an accent.
  • The Fountain of Love chapel is actually a Mexican restaurant.
  • The “fish jell-o” dish that Katya prepares utilized a real fish, and one of the props was forgotten on the sound stage for three days. The crew complained of a rank odor and the building had to be fumigated.
  • The scenes with Peter biking used a stunt double, or Peter being pulled by a golf cart.
  • In the scene that Jaye asks Mahandra for her car, the barrel in the background is actually a fiberglass septic tank that was repurposed as a barrel.
  • The cabin that Peter takes Eric to was the second choice of the creators. Their first choice was the same cabin that was used in the Dawn of the Dead movie, but the owners of the cabin rejected their request based on the content of the episode’s script.
  • The creators loved Spencer Breslin (Peter) so much they had planned to bring him back in the third season. It would open with Jaye and Peter as inmates in the same mental institution.
  • Continuity goofs: The satellite dish that Eric installs at the opening of the episode is absent in a later overhead shot of the trailer park. Peter says that he is 13, but his father says he is 12 and Peter doesn’t correct him.

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I’m sure you’ve heard by now that Whose Line is coming back to TV this summer, with Ryan, Colin, and Wayne returning. Drew won’t be, but we get Aisha Tyler instead, and by the look of her in this clip, I think we’ll be fine:

That wasn’t a comment about Aisha being prettier than Drew, by the way.  I mean, not initially. I guess now it is?  Good gravy, I’ve messed everything up forever.

What I mean to say is that it’s good to see the gang back together.  And what I mean by that is that I don’t understand why this show ever left the air.  Anybody who has ever watched it likes it, and many love it.  Maybe it was a planned “absence makes the heart grow fonder” move that will now pay off in spades.

Let me make this perfectly clear, Internet: this move will pay off, or there is going to be some trouble.  Okay?  I don’t want people to be all “meh” and then the show goes away again after two episodes. I want this show to go on long enough that eventually they will let me fill that fourth spot on the show just once. I have dreams, people.

I saw my first improv show in Madison, Wisconsin, in 1988. Someone was trying to explain it to me beforehand, but I didn’t really understand until I saw the show.  I was young enough and far away enough that I couldn’t go back to the show as often as I wanted, but I went as often as I could, which ended up being enough to annoy one of the performers, but that was my own stupid teenager fault and if I could see the guy now I’d apologize.

Over the next several years I got involved as much as I could in improv – attending shows, taking workshops, teaching workshops, organizing fundraising improv shows, and whatever else I could manage. Nine years ago I joined a local improv troupe and performed as much as possible with them. I took a break for a couple of years and have been back with them now for a few months. Honestly, if I could find some way to make a living off doing improv, I would do it: I love it.

I’ve come to understand that improv comedy occupies a strange place on the comedy scale: man, many, many comedic performers got their start in some sort of improv, yet when they’re given the chance, they make fun of improv. I’ve seen improv mocked on 30 Rock, Mad TV, and SNL, and those last two are treading on some thin ice there, I feel. Most jabs are at the “wackiness” inherent in the genre, and it’s a jab that hits home because I’ve seen it plenty of times (and have probably participated more than I intended to!). What they don’t generally  seem to attack are the people get really into improv, like the theory and long form and yeesh.  No thank you. I can respect it, but I don’t enjoy it.  (Well, I mean, some theory, sure, but pick comedy apart too much and you’re left with… I don’t know, bones or something.)

All this to say I’m happy to see Whose Line coming back. A national audience for improv is a good thing for local troupes, and even though I know they get multiple takes and have the advantage of editing, it’s still great to see performers who know what they’re doing.  I can’t wait to see what they have in store, and I hope that this will somehow lead to the release of all the previous seasons on DVD.

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