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I guess I just like liking things

By most accounts, this is the car that Steve will give out when asked for his autograph.

By most accounts, this is the card Steve will give out when asked for his autograph.

This list is prompted by my watching Father of the Bride recently. I’ve mentioned before just how much I like Steve Martin, but I was still surprised at how hard it was to order this list. I’m not sure that I agonized over it, but I certainly was stymied for a while. I’d guess if I made this list again in two months, I might come up with a different order.

10. Dirty Rotten Scoundrels (1988) – I watched this again recently with my wife (who had never seen it before), and it’s almost two different movies: there are the parts with Ruprecht, and then there is the rest of the movie. I doubt I will ever not laugh at the Ruprecht parts. (Side note: an older student in high school took to calling me Ruprecht for a time. I’m not sure how to take that.)

9. ¡Three Amigos! (1986) – I’m not a big Martin Short or Chevy Chase fan, but for some reason their work here with Steve is wonderful.

8. Bowfinger (1999) – Steve gets Eddie Murphy to do some of his best work in this movie, and it’s not the only one on this list to see Steve poking fun at the way Hollywood/L.A. works.

7. Shopgirl (2005) – Based on the book written by Steve, and one of the rare movies that I prefer to the book version. My favorite novel by Steve is The Pleasure of My Company, and I hear rumors now and then that it’ll eventually get filmed. Here’s hoping!

6. Father of the Bride (1991)/Father of the Bride Part II (1995) – Few people play “stressed dad” better than Steve, and it’s sometimes easy for people to forget how much of a  departure that was from his earlier comedy.

5. The Man with Two Brains (1983) – His character’s name is “Dr. Michael Hfuhruhurr,” which should tell you a lot about this one. I still quote the “Pointy Birds” poem from time to time.

4. All of Me (1984) – I’m going from memory on this one because I can’t find a decent home video version of it to watch again. Steve and Lily Tomlin are fantastic together, and I do mean “together,” since they inhabit the same body for most of the movie. Steve’s attempt at walking when he’s first half-possessed is one of the funniest bits of physical comedy you’re ever likely to see.

3. The Jerk (1979) – I know this one is supposed to be at the top of the list. It’s immensely quotable and Bernadette Peters is fantastic in it. I would love to see the two of them make another movie now. Somebody get on that.

2. L.A. Story (1991) – There are so many things I like about this movie that, by themselves, wouldn’t be much. When you add them all together, though… I love the magical sign, I love the comedic sketch-like scenes, I love the poking at L.A. culture (this, like all the best satire, helps you understand the culture better even while poking fun at it) – I just really like this movie.

1. Planes, Trains & Automobiles (1987) – Frustrated Steve Martin is Awesome Steve Martin. If I ever did a John Candy list, this one would be at the top of that one, too. The two of them together make this movie what it is, a hilarious and sweet road trip that you’d never want to take yourself.

Other mentions: 

  • The Muppet Movie (1979) – “Insolent Waiter” wins the award for my favorite Steve Martin role
  • Little Shop of Horrors (1986) – Not technically a “Steve Martin movie,” but still one of my favorite of his roles
  • Baby Mama (2008) – His New Age-y ponytailed boss cracks me up pretty much every time he’s on screen, and I think he and Tina Fey have great chemistry and should do more stuff together
  • The Big Year (2011) – I was surprised by how much I like this movie about birdwatching. Bonus: Jack Black not playing Jack Black
  • Grand Canyon (1991) – The first “serious” role I remember seeing Steve in. I don’t remember much about this movie other than how good I thought he did in a serious part (see also: The Spanish Prisoner)
  • My Blue Heaven (1990) – Steve’s mobster characterization isn’t for everybody, but the way he says “Because you could melt all this stuff” to Carol Kane’s character is so gleefully fantastic.
  • Parenthood (1989) – The first of his “dad roles”? I think so.
  • Roxanne (1987) – The scene where he comes up with 20 insults for himself is the highlight here.
  • Mixed Nuts (1994) – My least favorite Steve Martin movie. I have tried to like it, but I just can’t. Sorry, Steve :(

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This week’s episode answers the question “how do we get Ted and Linda to live together for a while when we’ve got ourselves a workplace comedy?” It is also the episode that answers “Which episode of Better Off Ted must have been the most expensive to make?” as there are at least three instances of CGI work by my count.

It’s been established that the team at Veridian works very well together. Veronica, Ted, Linda, Phil, Lem, and whoever else happens to be along for the ride that week might have their dysfunctional moments socially/relationally, but they get stuff done. Ted starts this episode off praising the team for being under budget and under time on their latest invention. But the more intricate the machine, the more easily it is thrown off by little changes. This time the gamechanger is Dr. Bhamba’s half-biological computer developing an ulcer and leaking goo and setting off biohazard procedures.

One of the many things I love about this show, by the way, is that they casually mention that Dr. Bhamba has had a half-biological computer for three years now and it’s no big deal. At this point, if we can accept $10,000/lb. lab-grown meat blobs, I guess a half-biological computer is no big deal. I also love that when we finally see Johnny, it looks like something that would have been right at home on the originally Star Trek. And please tell me that Dr. Bhamba’s name for his computer is a Short Circuit reference, because I want so much for that to be true. He thinks the reference is funny, and it’s never explained why, and that’s the only hit it made in my memory banks. Anyone else got a theory?

It makes sense that Linda wants to move in with Ted. Aside from their mutual attraction, they are friends, and he’d certainly provide a shield from the Wallaces of the company. (In Wallace’s defense: he is in a windowless basement office and has to eat a lot of weird stuff. Anybody moving in with him would’ve elicited the same reactions, I suspect.) I like that Ted is immediately apprehensive about Linda moving in, and I like that it’s not for the reasons that eventually being the actual reasons they shouldn’t share an office.

This episode makes a case for Linda at the same time as it’s making a case against her. On the latter hand, it shows her work habits as being… well, like a lot of our work habits, really. Sure, we know Teds, but Linda is certainly more relatable. That, in turn, made me cringe, as I realized if someone had to share an office with me, they would probably be slugging antacid as well.  I mean, I don’t try to teach fish to speak or anything, but I would say with Linda that “my process is just different.” She’s clearly shown up to this point that she’s been a valuable member of the Veridian team. I also don’t feel that this arrangement closes the door romantically for Ted and Linda (clearly the show doesn’t, either), as often times the things we desire in a partner are not the same as we’d desire in a coworker.

It’s fun to see Phil and Lem interact with other people (I especially enjoy Phil’s conversations with Ted in this episode – “I’m going to call my wife and tell her Linda’s hot!”), but I like them best when they’re together. Lem’s attraction to their new occupant is kind of adorable, and it’s sad they don’t work out because they really do seem well-suited for each other. Who among us can say they we haven’t ruined our chances by accidentally making a prospective partner throw up, though? My favorite Phil and Lem interaction this episode is this conversation:

Phil: Why don’t you go talk to her?
Lem: Talk to her? Would you talk to a rainbow? Or a sunset?
Phil: If I wanted to get it on with refracted light, I would.

Veronica is, of course, awesome in this episode, but I can’t decide if the things she does seem too far-fetched or are exactly right. We’ve never really seen her stressed before – though the reaching for compliment ideas came close – so I’m not entirely sure I buy that she’d be shooting guns in her office (Ted’s reaction is priceless – “Mother-!”). The best I can do to make it work in my mind is that these are things that she wouldn’t normally let anyone see her do, but she’s comfortable enough with Ted that he doesn’t count as other people. At the end of the day it works fine and I’m probably putting too much into it.

Bits and Pieces:

  • Linda calls people “helped’ by Veridian “victims”
  • According to Phil, Lem is what God would be like if He was insecure
  • CGI instances: the bio-goo, Linda’s button, and the Terminator in the Veridian commercial. That seems like a lot for 22 minutes of TV.
  • “You’re a baby. A big baby.” – Veronica to Linda, in regards to her complaint about the biogoo
  • Dr. Bhamba gets assigned to Room 4-D, which is know as “The Ridiculously Tiny Office,” a room we will see again
  • Veronica: “People, people. I hate seeing you put out like this.” – she repeats the “I hate seeing you put out like this,” but I wonder if people probably wouldn’t have figured out her true meaning even without the repeat.
  • “We all wish we were worms, Lem, but that’s never going to happen.” – Phil, after Lem says he wishes he was a worm so he could cut himself in two so he could date his other half
  • Lem presents us with the best pickup line ever: “If you like lame, you should meet me for a drink tonight after I have dinner with my mom and pretend to go to bed.”
  • Ted and Linda’s conversation about her butt is very funny, but I can’t help wondering how they presented this episode to Andrea Anders – “Hey, uh…, well, we’ve got a couple scenes here where we’re planning to have your rear end fill the whole screen. How’s that sound?”
  • Linda’s fish’s name is MacGyver. He and the diver are gay-married.
  • The ending of Lem and Lucy’s date is the best thing: him sneezing in her face which causes her to head-butt him
  • “Jealous implies I can’t have something I want.” – maybe the most Veronica line ever (no, I am not missing a word there – this line is a summation of Veronica like few other lines are, though we do seem to get Veronica lines frequently)
  • “[Ted] has more problems than you, and you poop in your air.” – Linda, to MacGyver
  • “Ted, you’re a guest. I can’t have you flinching every time I shoot a gun in here.” – Veronica
  • “You’re using science for no good. We took an oath we would try to do that less.” – Phil, when Lem starts using the HSS to make Brody barf
  • Ted’s office is XA-1201
  • Lem wants his $12 for dry-cleaning Lucy’s sweater once he finds out she’s dating Brody now.
  • Bhamba twirl-dancing in his office, a la The Sound of Music is a very silly two seconds
  • I feel like this happens to Phil a lot: Veronica compliments him, rewards him, but then turns it into a negative based on something Phil says. In this case, he says he was promoted to Senior Lab Assistant last year, which causes her to say she’ll look into whether or not he owes the company money because he shouldn’t have been. The look on Phil’s face is perfect.

Commercial:

Veridian Dynamics. Machines. When you were little, you wanted to be one. Now we’re working to make that happen by taking the best things about people and the best things about machines…and combining them into something strong and, we hope, loving. Veridian Dynamics. Man and machines. Best friends forever.

Ideas/Inventions mentioned in this episode:

  • The Voice of God (hypersonic sound, H.S.S.)
  • Dr. Bhamba’s biocomputer (“Johnny”)

Coworkers named/seen:

  • Dale, who has a big hand and a little hand, which is great because the company runs “like a finely-tuned watch” according to Ted
  • Rick, who makes a lot of copies (and who was also part of the Space Club in the “Get Happy” episode)
  • Wallace, the food taster guy
  • Lucy, from Robotics, who Lem is attracted to
  • Brody, who thinks Asians are “exotic”;

 

Next week: S01E10 – Trust and Consequence

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Roger Ebert, 1942-2013

Roger Ebert, 1942-2013

Film critic Roger Ebert lost his battle with cancer yesterday at the age of 70, just two days after telling us he was going to have to “reduce his presence” because of the cancer’s reemergence. He was the film critic for the Chicago Sun-Times for 46 years, longer than I’ve been alive.

I remember watching Siskel & Ebert At the Movies occasionally when I was younger. I wasn’t allowed to watch much TV, so I don’t remember exactly how I was able to see the show here and there, but I remember it was very exciting to see the clips from movies and hear the two of them talk heatedly about why they did or didn’t like it. Honestly, I never liked Ebert as much as I liked Siskel back then – maybe my tastes more aligned with what Siskel’s were, or maybe it was Ebert’s overbearing manner, I don’t really know. I’ve come to understand that they both were outsized personalities, egotistical, somewhat jerkish, and all of the other stuff that goes along with it. But you couldn’t deny their love of film, their desire for films to be the best they could be. Hearing the two of them talk about a film was one of the best ways to understand that film a little better.

I don’t generally read film reviews, at least not for the reasons most people do. By the time a movie hits the theater, I usually know whether or not I want to see it, and I have a pretty good idea of how much I’ll like it (and, even given all that, I still go see each new Resident Evil movie when it comes out). Movie reviews are more helpful to me after I’ve seen the movie in question. At that point, the review helps me focus more on what I liked and didn’t like about the movie, maybe showing me an aspect I didn’t consider. And there are, of course, times when I didn’t like a movie but couldn’t articulate exactly why until a review put the exact right words, words I would then use later when describing it to someone else, prefaced with “a review I read put it this way…”

I took a Literary Criticism class in college more because my favorite teacher ever was teaching it than because I needed it for credit. I was really looking forward to learning how to dissect books and understand more about how to look at art with a discerning eye. To my dismay, I was very, very bad at the class. Like, horrible. I couldn’t get it, at all. It wasn’t just that I saw what needed to be done and just couldn’t do it as well as I was expected to, it was that I completely and utterly could not even grasp the basics of how to understand that people could even do this type of thing. My teacher took pity on me in my distress and let me approach things from the most basic method (I have long since forgotten that method’s name, but it boiled down to “gut reaction”), but I struggled with even that.  When I read a good criticism, it makes sense to me, but I can’t get there myself.

In many ways, that early love of watching Siskel & Ebert talk about films coupled with my inability to talk about motivations, framing, editing, style, film stock choice, and all the other stuff is what has given rise to this very site. My love of film is much like Ebert’s, but since I can’t see those things, much less tell you why they’re good or bad, I celebrate the stuff I like. I hope my exuberance gets you to try something you might not have otherwise, or helps you to think more positively about something, or even just reminds you of how much you liked that thing, too.

No, I don’t have any great connection with Roger Ebert, none that would warrant a person caring two licks what I might have to say about him. He was a guy that’s was always just there during the course of my life. I didn’t always seek out his opinion on movies, but I did always appreciate his love of the medium. In that way we were connected.

In situations like this, I can’t help but consider John Donne’s poem, no matter how trite or overused some might think it is:

Each man’s death diminishes me,
For I am involved in mankind.

SUMMARY

The Tylers are having dinner at the Barrel, in celebration over the publication of Karen Tyler’s latest travel guide. Darrin reads the author blurb aloud, and Jaye is upset that her siblings each got more than 20 words, but she only got 5. After sharing her fears that she’ll never accomplish anything to her friends, she leaves the bar while being watched by a woman in a van. The following day, the woman who was watching her returns the wallet she stole from Jaye, and while stuttering an apology, a stuffed chameleon from a display tells Jaye to “get her words out”. She helps the girl, whose name is Bianca, get a job at Wonderfalls, and introduces her to her friends at the Barrel. Over the course of a few days, Bianca increasingly acts and looks like Jaye, and encroaches on her friends and family. Jaye gets angry and breaks into Bianca’s van and is aghast at all the photographs of her and copies of personal documents. Bianca finds her and admits that she’s a reporter doing a piece on underachieving 20-somethings. Jaye agrees to let her shadow her so that she can write her article, but Bianca realizes that Jaye’s stressless, expectation-free zone is enviable, and instead sets Jaye up to be fired from Wonderfalls. Jaye will not stand for this, so instead, she writes the article and submits it to the publication in Bianca’s name, which in turn decides to print it. Jaye convinces Bianca to take this chance and get on with her life, and Jaye shares her new 15 word blurb to the family at dinner: “Daughter Jaye, lives in Niagara Falls. Her blurb, and life, are a work-in-progress.”

This episode really plays on the idea of Jaye’s life and why on earth it would be reasonable to expect that a person could be intelligent and still be happy to essentially waste her life. It’s a good point when Jaye mentions to Eric that she sees a bit of herself in Bianca, because if Jaye had any ambition at all, she could have been in that position, to be asked to write 5000 words in a popular newsmagazine. Bianca attempts to frame her story with Jaye as a victim, but Jaye continually rejects this rewrite of her life choices. That’s not to say that she is completely at ease with her current situation, as the subplot about the blurb in her mother’s book demonstrates. It’s upsetting to her to think that she may never accomplish anything, despite being reasonable happy with her life the way it is for the moment. Bianca and Jaye are also similar in that Bianca decides to take the easy road in giving up on her ambitions. It’s not clear whether Jaye ever had other ambitions, but working retail is clearly not her raison d’etre.

I really like how nuanced this portrayal of Jaye is. In fact, she is really hard to describe. Yes, she’s acerbic and grumpy most of the time, but she also has heart. She can write a 5000 word article worthy of publication, but instead of taking that knowledge and running with it, she is content to get back to her own life. She’s not merely just wasting her potential, however, as she seems somewhat convinced that this is a step in her journey, not the destination. There is always a flip side to each character trait that is equally true.

Eric is finally named in this episode. The first time I watched this show I didn’t notice how long it took for this introduction to happen, probably because I was watching it all back-to-back. Both Mahandra and Eric’s intros on the show are very direct: Mahandra’s was over Gretchen’s mistake in calling her Janet, and Eric got an actual introduction between him and Bianca from Jaye. While it’s not a huge problem, this should have been addressed in the pilot, especially since these two are prominent characters.

There’s only one new muse in this episode, although two from previous episodes make appearances. First, the repeat of the Mounted Bass tells Jaye to “get her words out” right after she first bumps into Bianca, although Jaye thinks that it’s about her mother’s blurb. Next the Karma Chameleon repeats the phrase to “get her words out”, while Bianca stutters about the stolen wallet. Over the next several scenes, the Mounted Bass and the Karma Chameleon repeat this phrase, each time having a slightly different context. During Bianca’s interview with Jaye, the Barrel Bear makes an amused “harumph” when Bianca asserts that Jaye is anti-social. The interactions with the muses in this episode show a turning point in how they are handled. Previously, there have been some vague instructions, but mostly are fairly specific. “Destroy Gretchen” has little room for guessing games, as well as “Don’t give her change back.” But here, “get her words out” has a variety of meanings depending on the context. The writers are able to reuse the same phrases repeatedly to call back prior scenes and slightly change the meaning each time.

Comparison between Jaye's trailer vs. Jeannie's bottle

Comparison between Jaye’s trailer vs. Jeannie’s bottle

TRIVIA & REFERENCES

  • There is a continuity error in the first scene with the Karma Chameleon. Before it speaks, when the camera shows the display behind Jaye, there is no chameleon. After it speaks, it suddenly appears. The muses were all CGI additions post-production.
  • Bianca says that her father is on an “iron lung”. This was a common treatment for polio, beginning in 1927. In 2004, the year that this episode aired, 24 people were reported to be using one.
  • The Mouthbreather mentions The Gap when he is awed by Bianca’s super t-shirt folding skills. The Gap is a clothing retail chain with more than 3000 locations worldwide.
  • Mahandra quips that Bianca is Jaye’s “personal Heinrich Himmler” after she shoots the Mouthbreather in the eye with a rubber dart gun. Heinrich Himmler was a commander of the Nazi Party and directly responsible for the Holocaust.
  • Right after, Mahandra paraphrases some dialogue from the film Silence of the Lambs when she says “Can you hear the seals, Clarice? They’re screaming!”
  • Karen Tyler’s book sold out its first printing on Amazon.com, which is an online retailer that started as an online bookstore.
  • When Jaye pleads for Sharon to help locate Bianca’s parents, she says that maybe she doesn’t want to go back to them, because they might be “carnies” or something. A “carny” is someone who works at an amusement park, typically one that travels from city to city. It carries the same connotations as gypsies or other nomadic people groups.
  • Jaye describes her trailer as looking like “Jeannie’s bottle”, which references the TV show I Dream of Jeannie that aired in the 1970s.
  • When Jaye calls Bianca a “single white female”, she is implying that she is crazy, like the antagonist in the film Single White Female, trying to become her “twin”.
  • The computer that Jaye uses to write the article about Gen Y is a tangerine Apple iBook G3. It was sold between 1999 and 2006, and was replaced by the current MacBook line.

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I mentioned on Tuesday that when I was feeling better maybe I’d come back and comment on the list, so in the interests of working on following through on stuff, I thought I’d actually do that.

  1. Indiana Jones and the Last Crusade – This is how you do a sequel.
  2. Airplane! – Is this the best spoof movie of all time? Most likely. The only real competition it has is This Is Spinal Tap. I hadn’t seen this movie in a long time and I bought the Blu-Ray a while back so I needed to get to it.
  3. Top Secret! – I recently recommended this movie so hard to a friend that I forced him to borrow my copy. When he returned it I got the idea in my head that I needed to see it again. Some of Val Kilmer’s best work, and I’m not even lying.
  4. Indiana Jones and the Kingdom of the Crystal Skull – I talked about the good things in this movie a long time ago. I recently got the Blu-Ray box set of the Indy movies and had watched the other ones, so I needed to finish it up. I know it’s not good, but (barring a few specific things) I don’t hate this movie like I once did.
  5. Argo – Very good.
  6. Killing Them Softly – I wanted to like this movie, but I just didn’t. Frankly, it was muddled and boring.
  7. The Last Starfighter – What a great idea for a movie, right? It’s 1984 and the kids like videogames, let’s give them a movie that shows playing all those games might be important. I really do love this movie.
  8. Psycho – My wife had never seen this before, so that needed rectifying. makes me want to watch a whole bunch of Hitchcock movies.
  9. 10 Things I Hate About You – Finally got around to replacing my awful DVD with a Blu-Ray, so I had to check it out. It’s still a good movie, and it’s fun to see future-Joker and (maybe)future-Robin in it together.
  10. The Hitchhiker’s Guide to the Galaxy – Once I finally got around to understanding that it was Douglas Adams himself’s idea that each iteration of HGttG be unique/different in some way, this movie got a whole lot more enjoyable for me.  The Guide animations are particularly wonderful, and I’d really love to see the whole series (well… the first four books, anyway) get made. I know it won’t happen, but hey.  (Side note: When I see this movie, I like to imagine the following conversation took place: “Q: Hey, should we cast a black actor in the part of Ford Prefect? A: Mos Def!”)
  11. Father of the Bride – This was a result of the ol’ “Honey, you pick a movie for us to watch” gamble. I really do like Steve Martin in this, but I know I’m in the minority for admitting I don’t much care for the Franck character.
  12. Little Shop of Horrors (Director’s Cut) – I’ve been wanting the Blu-Ray of this ever since I heard it was coming, and my wife bought it for me as a recovery present on the condition that I watch it when she wasn’t around. I made her watch it a while back and it wasn’t really her thing. It’s one of my Top 20 favorite movies ever, and I really enjoyed seeing the restored original ending for the first time. (Side note: This movie’s “Suddenly Seymour” is in my regular song rotation, and I love belting out both parts to it… but not when I’m around anyone.)
  13. Flight – Denzel was fantastic in this movie, though a study in addiction is always a difficult movie to watch, I think.
  14. Lock Up – Not Stallone’s best movie, but certainly not his worst. Tom Sizemore is perfectly cast, but I think the remake of this movie five years later is vastly superior.