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I guess I just like liking things

“Employees must NOW use offensive or insulting language in the workplace.”  – Memo M-314

And with that simple typo, Veridian Dynamics becomes a whole different place to work.

This show does a great job of taking standard business issues and turning them on their heads – it’s a not-as-dark companion piece to Office Space in a lot of ways (though it could be argued some of their inventions are pretty dark, we don’t see a lot of them in action so it seems lighter). Here we take corporations’ slavish reliance on the memo to ridiculous extremes. Granted, a corporation has few other options for getting official info out to its workers, so memos are a necessary evil. It’s the “slavish reliance” part that is so ridiculous. Eh, regardless, it’s a good chance for the Veridian employees to tear it up for a week. I’m not going to list all the insults – I don’t even understand some of them! I think my favorite is “Tory-loving Royalist.” There is a video out there of out-takes from this episode that get very, very naughty, but I’m going to let you find it on your own. I think the show benefits from having to tone it down for broadcast TV.

The memo causes Ted the most frustration, as he finds it difficult to do his job this way. It leads to a sidestep into “you’re too controlling,” but ultimately it’s proved that Ted’s way is usually the best way, even if he cold stand to lighten up a little.  If Ted’s not left to do things his way, the company ends up with MREs that look like a weird gift basket you’d get for someone you don’t know very well.

Phil and Lem, on the other hand, use math to help them navigate the tricky insult waters, to mostly great effect. (Cue Vanilla Ice: “If there’s a problem, yo, I’ll solve it” – I mean, it wasn’t in the episode, but it’s what I think of. Just… never mind this part.)  I particularly like how there’s no emotion involved with the insults, at least initially. Phil insults Debbie in the elevator and immediately follows it up with a confirmation on what floor she’s heading to. But as the guys get further into it, the pride starts to emerge. They’re waylaying people with insults and chest-bumping each other – not, I don’t think, because they think their insults are so awesome, but because “our formula works!” They’re proud they’ve found a way to use what they know to function in a system thy’re so often confused by.

Aside from calling Linda “slut,” Veronica really isn’t affected by the rule change.  Mostly, I think, because Veronica talks to people the way she’s going to talk to people regardless of what Veridian says.  Really, her calling Linda “slut” seems like something she might have done anyway. It’s the right choice to have her storyline be mostly unrelated, and it gives us a chance to enjoy some Chris Parnell, who has some of the best lines for a non-regular character since Veronica’s dad showed up a while back. His sad sack Walter up against (figuratively AND literally!) Veronica is hilarious because of its ridiculousness, and we get some bonus Dutch hating, so it’s an all-around win for Veronica this week, aside from the fact that she’s going to have to get new body parts because her current ones have been ruined by Walter.

The episode is bookended by conversations between Ted and Debbie, and the change from the first one to the last one makes me wonder if this sparks a permanent change in Debbie. I don’t think we get to spend any more time with her in the rest of the series, but it would have been interesting to see a background character take on new life, I think.

Bits and pieces:

  • “Luckily, talking to Debbie isn’t the only way we communicate around here.” – Ted
  • “It’s like my feelings are itchy.” – Veronica
  • “In the past I’ve always counteracted this feeling with other emotions, like sugar or drunk.” – Veronica
  • “I don’t hate the Dutch. I love the Dutch. That’s why I hold them to a higher standard.” – Veronica
  • “The Dutch don’t smear herring on half the things you say they do.” – Walter Palmer
  • “God made me this way. And then He told me where to shop for suits.” – Ted
  • “Pow! You’ve been Lem-basted!” – Lem
  • “You’re right. I’ll work on that.” – Phil
  • “That’s not a company-mandated insult. That one came from the heart.” – Linda
  • “Wow. That’s the fastest I’ve ever lost interest in something.” – Veronica
  • “Thank you for kissing with me.” – Walter Palmer (as quoted by Veronica)
  • “I’m happy that you came to me for advice, but sad this is my area of expertise.” – Linda
  • Future, babies, commitment – the three words you’re going to want to put into heavy rotation if you want to scare a man off, according to Linda
  • “Back off! I need my space!” – Veronica, reacting to the three words
  • “Let’s light this candle and blast off into a calm, settled, monogamous relationship.” – Walter Palmer
  • “You’ve just been Phil-abusted!” – Lem
  • When the elevator doors open after Phil insults the water delivery man (Jim), Phil and Lem have switched places. Did Lem try to save Phil?
  • “We just got Ted-ucated.” – Phil
  • “Veronica Palmer is man-smart.” – The Veridian execs

Commercial:

Nope :(

Ideas/Inventions mentioned in this episode:

  • Meals-Ready-To-Eat
  • Genital X-ray Project
  • 14-foot Soldier (theoretical)

Coworkers named/seen:

  • Debbie
  • Janet S. Crotum
  • Pudberger – guy in Ted’s meeting, I missed his first name
  • Walter Palmer
  • Mark, another guy in Ted’s meeting
  • Roger, a lab worker, and Phil’s test run for his insult equation

Next week: S02E09 – The Long and Winding High Road

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This is the tenth in a series of transplanted articles from my other blog. The transplants will run on Saturdays until they’re all over here. They are copied and pasted, but might get slight edits here and there.

Is there no one else on the track because they've fallen and damaged themselves on their scissors?

Is there no one else on the track because they’ve fallen and damaged themselves on their scissors?

Some of these albums I have not had to re-listen to in order to rank them This album I actually had to listen to a couple of times to reacquire a feel for it.  It’s “so 90s” in a way, but not more pigeonholed to a time than any of his other albums.  I’m not sure how to explain my feelings on it other than to say this album felt like a turning point for Al, but maybe the turning point was mine.  This seems to be about the time that Weird Al started transitioning from “offbeat comedy songs guy” into “representative of geek/nerd culture icon.”  I don’t know, maybe that’s just my perception.  I was 27 when it came out, a number that Al has used in several songs. Maybe it’s that intersection that makes me confused about this album.

11. Jerry Springer – A song about the Jerry Springer show. I feel like we already had this song, in “Talk Soup” on Alapalooza, and it wasn’t my favorite then.

10. Pretty Fly for a Rabbi – Parody of “Pretty Fly (For a White Guy), and pretty much a lot of Jewish jokes. It’s catchy, but… it’s pretty much a lot of Jewish jokes.

9. My Baby’s in Love with Eddie Vedder – An original, about how his girlfriend loves 90s darling Eddie Vedder, to the point where she’s “knitting him a sweater,” even.

8. Truck Drivin’ Song – Our church had a couple of long-haul truck drivers when I was growing up. I even went on a trip once, down to Georgia and back. That was enough for me to know I’d never be a truck driver. They’re a unique breed, and I heard plenty of truck drivin’ songs (like “Convoy” and “Gimme 40 Acres”), but none of them were ever about a cross-dressing truck driver. Weird Al saw a gap in the trucker musical library and he filled it. No other truck drivin’ song has the phrase “darling little rhinestone pumps” in it, I’ll wager.  He really nails the feel and sound of those old songs, while giving them an update no one knew they needed.

7. Albuquerque – A long-form exercise in randomness and absurdity. I enjoy this one, but can’t listen to it very often.  It’s a little too random and goofy for my tastes most days.  I am a little jealous that Brian got to hear him sing “Albuquerque” while in Albuquerque, though.

6. Polka Power! – Here’s this album’s polka, featuring songs by the Spice Girls, the Beastie Boys, and Chumbawamba. Again, I feel Al improves on the originals in most cases.

5. Grapefruit Diet – A swing (ska?) song about food, based on “Zoot Suit Riot.” Lots of fun.

4. Your Horoscope for Today – Al runs through each of the Zodiacal signs and gives you the horoscopes for each of them. The highlight of this song is the bridge, which I’m still trying to learn all the words to.

3. The Weird Al Show Theme – Exactly what it says. I loved the show, and I loved the theme song opening. Here it is so you can enjoy the many different kinds of animations to go along with it.

2. The Saga Begins – The story of Star Wars: Episode 1: The Phantom Menace, told in song form from Obi-Wan’s point of view. This song, based on Don MacLean’s “American Pie,” is so much better than the movie it’s based on, but wouldn’t exist without the movie, so… yeah. That’ll make your brain hurt.  If you haven’t seen the movie but want to know what happens in it, just listen to this song.

1. It’s All About the Pentiums – Not only is this my favorite song on the album, it’s one of my favorite songs of Al’s in general. Lots of computer terms, used correctly, and in humorous ways.  I absolutely love this song.  It contains such wonderful insults as “you’re waxing your modem trying to make it go faster” and “in a 32-bit world you’re a 2-bit user.” Yes, the references are a bit long-in-the-tooth now, but they’re still fantastic.

Not too many albums left, though I’ve considered going on after the albums with my Top 10 of all his songs, the Top Ten Food Songs, the Top Ten TV songs… I’m not sure how much Weird Al this blog can take!

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Michelangelo moved from nunchuks to axes

Michelangelo moved from nunchuks to axes

A couple of months ago a friend gave me a cassette tape of the Teenage Mutant Ninja Turtles’ Coming Out of Their Shells concert/musical.  He found it at a rummage sale and I don’t know how much he paid for it, but it was clearly too much/not enough, depending on your point of view. I actually owned a copy of this tape back in the day, but didn’t remember much about it. I must not have thought too much of it since I didn’t still have my copy.

This is how the Turtlepedia describes what this soundtrack is:

The Ninja Turtles have decided to travel around the world to meet their fans face to face. singing songs they wrote such as “Coming Out of Our Shells”“Pizza Power”,“Skippin Stones”“Walk Straight”, and “Tubin'”. Though while the Turtles are enjoying their time singing and dancing for the fans, Shredder decides to make an attempt to stop the Turtles from making people happy. Shredder, with the help of Baxter Stockman comes forth with his De-Harmonic Convergence Converter. Using this device they will steal all the music in the world, and it also weakens the Turtles if they stand in front of it. Once Shredder arrives on stage with the De-Marmonic Controller the Turtles have to retreat and come up with a plan to save the day. As the fans are tortured by Shredder’s bad jokes and singing.

Uh… that’s where the description ends and, really, it’s kind of fitting.  I’m just going to tell you flat out: this is not good.  I haven’t yet seen the Star Wars Holiday Special [spoiler alert: I have plans for an article in December], but from what I’ve heard about how awful it is it seems like a corollary to what COoTS is to the Turtles. I know there’s a temptation to cash in on something popular in as many ways as you possibly can as quickly as you possibly can, but I would love to have been in the meetings where this was planned:

“Okay, so get this: the Turtles plan to defeat evil by playing music!  We’ll have dudes dressed up in Turtle costumes on stage with special effects and choreography and it’ll be totally rad!”  (This was in the early 90s and had to have been at least partially planned in the late 80s, so the use of the word “rad” was not unexpected.)

The tour was sponsored by Pizza Hut, which I’m sure was a reaction to Domino’s being featured in the first TMNT movie.

At this point I’m going to link you to something because I feel I need to, but you have to promise me you will not click on it. It is the first part of the officially released video of the concert and I am not kidding: if you love the Ninja Turtles at all, you will not want to click on the link.  I have to provide it as part of my solemn duty, but you do not and should not click on it. Here it is. I listened to the whole album many, many times before I dug up the video to watch the concert. The sense I got from the album was “Okay, I can deal with this, it’s kind of fun even though some of the songs aren’t great.” But then I watched the video and the whole experience changed for me. I kept apologizing to my wife for having it on our main TV – “I’m sorry, I really need to watch this. I know it’s awful.”

The costumes are bad. The “jokes” are bad. The plot was bad. The music is… well, let’s talk about the music.  If the Turtles plan to defeat evil with music rather than with buttkickery, you’d expect the music to be pretty awesome. Your expectations in this instance are misplaced and laughable.  Here is the tracklist:

  • “Coming Out of Our Shells!” – You need an introductory song to tell us what’s going on, definitely.  I still don’t understand what “coming out of our shells” means, though.  Like, is the shell the sewer where they live? Or is the shell their martial arts training? Or secrecy in general?  Because “coming out of my shell” usually means a shy person opening up, but the Ninja Turtles have never been shy, so I really don’t get this metaphor at all.
  • “Sing About It” – This song tells you that if you sing about stuff, it’ll be okay.
  • “Tubin'” – This song talks about surfing/tubing in the sewers and it is one of the grossest concepts I’ve ever had suggested to me.
  • “Skipping Stones” – I think this is supposed to be thought provoking and spiritual and yada yada yada, but it will grate on you like you wouldn’t believe. Sorry, Master Splinter.
  • “Pizza Power” – This song is okay!
  • “Walk Straight” – This song’s chorus would cause an uproar today like you wouldn’t believe: “Talk straight! Live straight! Be straight!” It’s actually kind of catchy, but someone is likely to sue you for hate speech if you sing/play it in public.
  • “No Treaties” – This song is okay, too! I mean, I don’t understand it, but it’s not unpleasant to listen to.  Who is reading them their rights?  Why will there not be any treaties?  Is this basically saying “we’re going to kill Shredder because that’s the only way to end this”?  I think it might be, but I’m not sure.
  • “Cowabunga” – I wanted this rap to be good. I mean, all the pieces are there, and the idea is actually sound, but… wow.  It’s so bad.  Lines don’t rhyme, the meter’s all off, and the rapping is unpleasant. This song actually makes me sad.
  • “April’s Ballad” – Starts off rough, but I actually kind of like it by the end. It presents an April who is afraid, though, and that’s not the April I’m familiar with. The song talks about how having people you love can help you through tough times, but it seems kind of “I am woman, I need help from dudes” which isn’t necessarily a powerful message, you know?
  • “Count On Us” – Here’s where we find Good Things in Bad Stuff, because I absolutely and unabashedly love this song. It reminds me of a group from the 80s, but I can’t place exactly who (maybe Van Halen?), and it’s some good old-fashioned arena rock that will pump you up. I also love the harmonies, and I wish there was a whole album of this kind of thing.  Give it a listen down below!  You likely won’t enjoy it as much as I do, but I have added this one to my MP3 player for regular rotation. In the last month I have listened to this song more than 30 times, and that is not an exaggeration.

I’m glad there’s a lot of great TMNT stuff to choose from. If this were one of, like, three things you could see the Turtles in, I’d probably have to write the whole thing off. As it is, it’s a misstep in a franchise that averages out to be pretty good, so it’s forgivable.

So help me, I can’t get past this thought, though: if I had a time machine freely available for my use, after I was done checking out major historical events, I’m pretty sure I’d use it to go back and attend one of these showings.

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For many of us, talking to people is the best part of a job. If you’re lucky enough to work with people you like, talking to them throughout the day is like a bonus breaktime. I mean, pretty much anything at work that isn’t work-related is the best, right?  You might not like going to birthday parties in real life, but if there’s a half-hour birthday gathering at work, it’s the best thing ever.

However, if you’re unlucky enough to work with people you wouldn’t want to hang around outside of work, the little conversations throughout the day can stretch a work day interminably. It can make your actual work seem like the break — come to think of it, I’m surprised Veridian hasn’t hit on this idea to boost productivity. Remember the scratchy chair? If Veridian made it so everybody thought everybody else was horrible to talk to, I’d bet they’d see productivity rise to Gordon Jenkins levels!  …but they also might see a rise in workplace murders, so maybe that isn’t the best idea.  On the other hand, Veridian isn’t known for caring too much about employees, so maybe a few murders now and again are “acceptable losses” for them.  I’m going to go ahead and imagine this was a storyline slated for season three.

Back here in season two, though, Ted is stuck talking to Ryan way more than he’d like to be, and given some of Ryan’s chosen topics, I can’t really blame him. (As a side note, let me just say that if you’re ever showing your gross toenail to a coworker, you have crossed a line and should reconsider where your life choices have led you.  Unless you work at a doctor’s office and you’re getting medical advice, I guess.) Ted has even resorted to braving the back staircase, risking contracting spider madness.  One thing leads to another and Ryan quits his job, putting Ted into “I have to fix this” mode, which leads to Ryan’s wife giving birth in Ted’s car.  The most interesting part of this storyline is the differing perceptions the characters have. Ted likes Ryan okay, he just can’t handle “too much” talking. From Ryan’s perspective, Ted’s a buddy, a work friend, someone he tells his wife about every night.  I feel like there’s a lot of untapped potential in the perspectives thing, but they can’t really dwell on it because they have to get to the birth shenanigans.

Meanwhile, Phil and Lem get tricked into working with Veronica directly, and it’s wonderful. Not for them, of course, but for us viewers it’s a beautiful thing.  We are already aware of just how much they are attracted to/fear Veronica, so seeing them have to be around her without a Ted buffer makes for some great scenes:

  • trapped in the office, trying to get out
  • the look Veronica gives Phil and Lem when they’re trying to escape her office
  • unwittingly holding hands
  • curtsying when they leave Veronica’s office
  • adjusting the PA controls
  • Phil whistling the answers so Lem can talk

Really, any time the two of them are dealing with Veronica one-on-one is some of my favorite stuff.

Linda doesn’t get much to do in this episode other than flit around the edges of both these storylines and have her own difficult-to-listen-to coworker, but I would like to point out that most people in Wisconsin are as nice as they’ve made Linda out to be, in case you were wondering. Perhaps someone should do a study on how cheese consumption/production affects general goodwill.  Maybe lactose intolerant people are just intolerant overall.

Bits and pieces:

  • “If you’d been bitten by one of the back stairs spiders you’d be flopping on the floor deep in the throes of spider madness.” – Phil
  • “Sarcasm, the first sign of spider madness.” – Lem
  • “If only there were a nice way to say ‘You’re killing me, you energy-sucking time gobbler’.” – Ted
  • “After a week of vomiting, everyone – even the bird – was back at work.” – Ted
  • “I would like to unsubscribe from whatever you’re doing right now.” – Veronica
  • Veronica calls Phil and Lem Bunson and Beaker
  • Linda’s mom’s sayings are ridiculous
  • “I can’t stand who Phil and Lem are so I’m changing them.” – Veronica
  • “The version of Linda you heard in your head is right.” – Ted
  • Ted is a terrible liar, as evidenced by his cell phone bit
  • Lem is the pony, according to Veronica
  • “Maybe it’ll look less weird if I carry you.” – Lem
  • Lem keeps trying to use cowboy imagery and runs out quickly, but later on comes up with more stuff
  • “You’re just a shivering Chihuahua, aren’t you?” – Veronica
  • “Talking about drawer elves isn’t going to make this any less scary.” – Phil
  • On the plus side, the PA systems is very clear now
  • Phil runs awesomely, arms a-flappin’ – “I did get to watch Phil run. He was like an ostrich in a lab coat trying to catch a bus.” – Veronica
  • “I am Veronica, Queen of Veridian” – Veronica
  • Ted and Veronica’s duet – will this make Veronica’s second album?  Another question season three would have answered, no doubt

Commercial:

I’m so happy there was a commercial this week that I could just cry!

Veridian Dynamics. Friendship: it’s so important. But it’s different at work. Time spent with friends at work robs your employer of productivity, and robbing people is wrong. Veridian Dynamics. Friendship. It’s the same as stealing.

Ideas/Inventions mentioned in this episode:

  • New PA system
  • The smallest squirrel science can make

Coworkers named/seen:

  • Ryan, the security guard
  • Mr. Krebs – played by Jeff Doucette who was Harley on Newhart

Next week: S02E08 – The Impertence of Communicationizing

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42

As a middle-aged Midwestern white guy, I don’t really feel like I have a voice in the race discussion. I mean, I think it’s ridiculous for someone to look down on someone else because of the color of their skin, and if you’re around me doing that I hope to high heavens I will correct your stupid misconceptions, but my experiences in race relations have been… limited. The number of non-similar-to-me [read: white] people I knew growing up was less than ten. Maybe less than five.  That’s not really anyone’s fault nor is it inherently a bad thing, it just is what happened.  Yes, that can become a bad thing if it fosters a particular mindset, but it isn’t a bad thing all on its own – like a lava lamp, right?  A lava lamp isn’t a bad thing on its own, but if you use it to beat someone up and burn them it becomes a tool for evil.  Growing up in a predominately white area is a lava lamp, I’m saying. So I don’t feel I have a voice because I don’t have the history to inform it.

That’s why, for me, a film like 42 is important. As is Guess Who’s Coming to Dinner, or the book Black Like Me or Schindler’s List, a hundred other works. They’re important because it they help me experience – however infinitesimally – something I never would on my own. They help me see something I didn’t know or something I only knew “in theory.” They put a face and a name to something I only know about in the abstract.

In 42, Harrison Ford plays Branch Rickey, the team owner responsible for putting Jackie Robinson on the Dodgers. I don’t know if Real Life Branch was exactly like Movie Branch, but MB had some good things to say. His speech about what sympathy means (“suffering together”) struck me, and, really, is what prompted this entry. How often are we suspicious or hateful towards someone because we don’t know their situation? Carmine Falcone said it in Batman Begins: “You always fear what you don’t understand.”

I didn’t know much about Jackie Robinson going into this movie, other than he was the first black player in Major League Baseball. I didn’t know how he got there or any of the people around the story. I’m not much of a baseball fan, so you’ll forgive me if I’m not up on all these things (I hope). Seeing the process in this movie made it real for me, and even though it was hard to watch in places, it was good for me to be reminded of history and what others have had to overcome. I can sit there in my La-Z-Boy and wish they could tell the story without using particular words, but it hits me that Jackie lived it and heard those words and a million other hurtful ones that weren’t even portrayed in the movie.  And of course he wasn’t the only one. Millions without the benefit of having a supportive wife or a Branch Rickey or a teammate willing to visibly show support dealt with it every day, and many still do.

That, of course, is the thing that gets me. “Look how far we’ve come!” quickly gets replaced with “I can’t believe how much farther we have to go” simply in a perusal of recent events. There’s a scene in 42 where a white man and his son are at a game waiting for it to start. The son looks to be 12 or 13, and he’s really excited about being there, looking forward to how many runs his team will get, and he and his dad are sharing this good time together. Then Jackie comes out on the field and the scene changes instantly. The father, who seconds before was talking to his son about the game, starts yelling racial epithets, spittle flying from his mouth. Others around him star doing the same thing, and the camera slowly starts to move in on the boy. He looks confused for a few seconds, glancing around at everyone in his section who is yelling the same things his father is. They’re not talking to him, they’re not verbally saying “this is how things are,” but when the boy turns back to the game and yells one ugly word, you’re seeing the birth of more accepted ugliness and it is a stab in the gut. Is it heavyhanded, too much? I couldn’t say. All I know is that it was effective for me, a picture of how racism is passed on, a scene that changed in an instant from one of anticipation and joy to one of learned hate.

This is the power of telling stories: it’s good to be reminded of how things were, even when it’s hard to see it in action. It’s good to learn the history so we don’t repeat it, to understand it so we don’t do it.