June 20, 2013 Wonderfalls S01E13: Caged Bird
SUMMARY
While dealing with a shoplifter at Wonderfalls, Jaye is surprised when Eric and Heidi come in to buy souvenirs before they leave. When a Caged Bird tells Jaye to “let him go”, she tells him that she is happy for him and Heidi. Later, she breaks down in front of Sharon who encourages her to call Eric before he leaves. They arrange to meet at her trailer in 20 minutes, but suddenly they are being held hostage by a bank robber, along with the security guard, Wade Jones, and Alec (the Mouth-breather).
When Eric comes by the store wondering where Jaye is, the robber instructs Jaye to get rid of him. Despite repeatedly asking to come inside, Jaye rebuffs him with some cruel words intended to make him leave. He thinks this behavior is strange, and calls the police. Their friends and family see him being interviewed on the news. Heidi is upset when she realizes that Eric doesn’t love her, and leaves.
During a plot to free themselves, Wade suffers a heart attack just before he is about to whack the robber in the head. The Karma Chameleon alerts Jaye to a back exit, and the robber grabs her and they leave. As they are driving away in a stolen van, they get t-boned by a very disgruntled Heidi. As the robber attempts to threaten Heidi, he is hit and killed by an ambulance.
Some time later, Jaye is working at Wonderfalls and Eric comes up to her. He reveals that he has divorced Heidi and has returned to Niagara to live there. They share a kiss. After he leaves, the Wax Lion says, “Word of advice…” to which Jaye replies, “Shut up.”
While this episode doesn’t have the same impact that Cocktail Bunny has, it continues the same momentum that was building before Totem Mole. I’m not sure about the continuity here, though, since in Totem Mole Jaye has resigned herself to the existence of the muses in her life and starts to see it as a possible positive. Here, she is back to the same distaste of them, criticizing them of ruining her life.
Heidi is also more humanized in this episode. She’s no longer the villain. She is simply a wife that wishes her husband would forgive and love her again. I have to wonder how much of the character’s motivation boils down to wanting to win, rather than wanting to be with Eric. Of course, the big payoff here is the kiss between Jaye and Eric, as we are led to believe that they live happily ever after, since they never got another season.
Mahandra and Aaron finally establish their relationship in this episode, for realsies. It’s interesting that Mahandra was concerned about Jaye’s feelings on their relationship for the prior episodes, but now she is fixated on Karen’s view. However, the Tylers have thus far shown that they are very encouraging of their children, and would be delighted about this new relationship. Karen’s look of shock at the reveal, notwithstanding. (Sharon looks ecstatic, however.)
The muses continue being chatty in this episode, although not to the same extent as in the prior two episodes. A few phrases are repeated here, such as “let him go” from the Caged Bird and “give him heart” by the Barrel Bear. The Caged Bird also gives other instructions that are less vague, such as “tell him you’re happy”. The Karma Chameleon gives the most specific instruction, with “there’s a hidden door in the bathroom, let him go”. And as I mentioned in the summary, the Wax Lion has to get the last word in there, with his advice.
TRIVIA & REFERENCES:
- This episode was originally envisioned inside a McDonalds, to be entitled “Happy Meal Hostage”.
- It was directed by the same person who directed Heathers.
- Jeffrey Smith, who plays Wade Jones the security guard, had originally auditioned to be Fat Pat in the episode Muffin Buffalo. He wasn’t a right fit for the part, but the creators liked him so much they created this character and framed this episode around him. He was originally a production assistant for the pilot.
- The kid that was cast for the shoplifter role was the best actor that auditioned, but the creators were hesitant to cast him due to his race and because of stereotypes.
- When Jaye mentions structural integrity, it is a reference to Star Trek.
- This episode was the coldest one that they filmed, it was -32 degrees Fahrenheit. The snow was real.
- The newscaster in the news sequences is an actual Toronto newscaster.
- The Barrel Bears were based off of a creepy bear toy with human faces that the creators found. It was custom-made for the series and each one cost about $700 to make.
- Supposedly, the off-hand comment by the Wax Lion at the end was supposed to be a set up for the next season, where a new Wax Lion would tell Jaye to disregard what the previous Wax Lions had said.
And that’s Wonderfalls! Next week we will have a wrap up and I will discuss my future plans on Zwolanerd.
Tags: LWST, Wonderfalls
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June 20, 2013 A Pyrrhic Victory?
Good heavens is this ever dizzying. So now Microsoft has (relented? backtracked? realized the error of their ways?) changed their minds about some of the XB1 features: no more DRM preventing used game sales and no checking in online every 24 hours.
Yay!
…maybe? I should stop being surprised that people can gripe about any and every thing. Just this morning, not even 24 hours after the announcement, I read a “well, now we’ve done it, we’ve ruined everything forever because we made Microsoft change their minds about this” article. I can’t remember where I read it and forgot to bookmark it, but the point was “we were going to live in a new age of lower prices and freer yada yada yada” and I kind of gave up after the “lower prices” bit because, sure I was hopeful that would be the case, but I wasn’t in any way figuring it would be.
Look, I can appreciate efforts to change the infrastructure of a thing if it needs to. But in some cases it’s okay to have coexisting infrastructures, something Microsoft and Sony have both been doing already: yes, play your on-disc games, but, sure, have some digital-only downloadable games, too, have fun!
I had pretty much come to the decision I was sticking with Xbox before they announced this, for two reasons:
- I’m pretty deep in the Microsoft ecosystem, they all tie together pretty well, and there’s the promise of even more in the future.
- I like to be an early adopter when I can be. Yes, I know I just registered my discomfort about all of the stuff, but the more I thought about it the more I decided it was the way to go. These announced changes are icing on the pumpkin bread for me.
Granted, they still haven’t addressed the indie game question, and I hope they do, but it won’t affect my decision, most likely. I support the idea of indie games and want people to have that avenue, but I have rarely availed myself of the offerings, so I’m probably not the best person to speak to this.
Here’s hoping this is the last article I write about the XB1 until the “I got it and I love it!” one later this year, which I’m also hoping is one I get to write.
Tags: XB1
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- Posted under Videogames
June 19, 2013 The Best Job
I’ve been thinking lately that the best job would be an on-air DJ for a classic rock station:
- In theory, you wouldn’t have to learn anything new, music-wise
- You get to listen to music all day
- Lunch and bathroom breaks are easy, you just gotta queue up “Free Bird,” “In-A-Gadda-Da-Vida,” and “Stairway to Heaven”
What actually makes something a “classic rock” song, though? In my mind it’s late 60s to early 80s stuff with a particular sound to it that I couldn’t necessarily describe. It’s usually easier to talk about bands as examples: Led Zeppelin, Pink Floyd, KISS, Rush, Tom Petty. When someone says “classic rock” you form opinions in your head that are distinctly different from “oldies” or “the best mix of the [list whatever decades you want here].” Up until maybe 5-6 years ago, it wasn’t even a genre I liked much. But then I got older and was required to enjoy the kind of music you might hear from a guy’s garage while he’s working on his lawnmower, even though I don’t own a lawnmower and the most time I ever spend in my garage is setting up the projector for Rock Band parties on New Year’s Eve.
…speaking of, I’m pretty sure Rock Band and Guitar Hero have played a pretty big part in how I came to like the genre.
But I’m still stuck on calling it a “genre,” because it’s so ill-defined. Our local station plays Creedence Clearwater Revival and then The Scorpions and then The Doors and all of a sudden here’s “Enter Sandman” by Metallica. And The Beatles’ early stuff is probably more “oldies” but there’s some definite “classic rock” stuff later. I have a hard time with “Hey Jude” being lumped in with “Detroit Rock City.” And are 80s metal bands “classic rock” now?
I guess maybe the marker moves as years go by. If “classic” means “older than 25 years, but not older than 40” than classic rock stations are going to have to keep up and that renders my first point up there obsolete. But I also think maybe it is just particular bands, because my local station talks about U2 recording a new album and David Bowie’s latest and it doesn’t seem to me like anything created this year should be filed under “classic,” even if all their other stuff is (and I’m not sure U2 is old enough anyway?).
I get that it’s easiest for us to think in labels and put stuff in particular boxes, I just think we need more specific labels that we can all agree on. When I play my Pandora Classic Rock station I want to know what I’m getting, and I really don’t understand how sometimes it’s blues all of a sudden.
June 18, 2013 Tuesday 17: TV Dads
This past Sunday was Father’s Day here in the US, so it seems like the perfect time to whip up a “Favorite TV Dads” list. I meant to do a list of TV Moms for Mother’s Day, and I’m not sure what happened there, so I just made this list longer.
17. Jed Clampett (The Beverly Hillbillies) – TV dads run the gamut from bumbling to all-wise. Jed is the epitome of laid-back knowledgeable country folk. Not much ruffles him.
16. Andy Taylor (The Andy Griffith Show) – Who was wiser and nice than Sheriff Andy?
15. Harold Weir (Freaks & Geeks) – World-weary, realistic, and comfortable with who he is.
14. Bernie Mac (The Bernie Mac Show) – Try sass-talking him and see what happens to you. Go on, try it.
13. Tony Soprano (The Sopranos) – Hey, I didn’t say this was a “dads you’d want as yours” list. He’s the head of two families and he serves as a good example on how not to run either of them I think.
12. Burt Hummel (Glee) / Steven Keaton (Family Ties) – You might never see this pairing anywhere else, but I think both of these TV dads are good examples of how to parent a child who has turned out differently than maybe you wanted or expected. A good dad loves and protects his kids, whether they’re Republican, gay, or Mallory.
11. Frank Costanza /Morty Seinfeld (Seinfeld) – Both entertaining in completely different ways (“I’ve got a lot of problems with you people” vs. “My wallet’s gone!).
10. Seeley Booth (Bones) – Granted, the show seems to only bring up his kids when it needs some extra drama here and there, but when you say “protective father” I think Booth.
9. Willie Tanner (ALF) – Okay, listen: no Dad of the Year candidate is going to harbor a crazy, possibly-dangerous space alien in his home around his kids, wife, and cat. No one’s better at the frustrated slow burn than Willie Tanner, though, so maybe there’s awards for that.
8. Howard Cunningham (Happy Days) – Another wise dad. Funny how the better father-son relationship was him and Fonzie, not him and Richie.
7. Jonathan Kent (Smallville) – Nature vs. nurture: would Superman be Superman if he hadn’t had a Pa Kent? Go read Red Son for one possible answer to that. There’s no denying Jonathan Kent helped shape the Superman we know, though.
6. Perry Cox (Scrubs) – Sure, he’s got a tough exterior, but the minute his son gets sick, Perry’s all breaking protocol and interrupting the pediatrician and kidnapping his puppets.
5. Michael Bluth (Arrested Development) – Is there a good dad on this show? They’re all pretty bad at their jobs, but that’s most likely what makes them so entertaining.
4. Hal (Malcolm in the Middle) – Man, he just wants to be good at whatever it is he’s doing, and in the process he’s going to enjoy the fire out it. Seemingly hen-pecked, he and Lois actually make a pretty good team, though one might argue they’re not very good at parenting — their kids are pretty rotten.
3. Splinter (Teenage Mutant Ninja Turtles) – Adoptive dads for the win! Now, granted, if you adopt four kids maybe you shouldn’t train them up to be ninja vigilantes, but if those four kids happen to be turtles mutated by some sort of ooze maybe you don’t have many options. Besides, Splinter taught them the meaning of family in ways Tim Taylor (Home Improvement) could only dream of.
2. Homer Simpson (The Simpsons) – Sure, he’s terrible (“I have three kids and no money. Why can’t I have no kids and three money?”), but he loves his family even though he’s an idiot. He’s an inspiration to us all.
1. Cliff Huxtable (The Cosby Show) – Wise but human; one step ahead of you and easily foiled, all at the same time. There has never been a better TV dad and I doubt there ever will.
Tags: Tuesday10
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June 17, 2013 Better Off Ted: Apology Version
This weekend was crazy with lots of driving and a wedding and Internet that didn’t work at the hotel and… bleah.
Short version: I don’t have this week’s episode watched and written up.
Please accept this Better Off Q*bert drawing from The Daily Q*bert as an apology:
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- Posted under Art, TV

